Haiku Me Friday! Kenobi Rumors

My little green friend
His advice and help guide me
So strong with the Force

 

I really don’t like talking about the rumors of new movies coming out. I’m the type of gal that until I hear it from LFL, then it doesn’t exist.

BUT.

BUT.

There have been so many rumors swirling around of an Obi-Wan standalone. I’m 95% against this idea for a movie because I think it ruins George Lucas’ vision. Not that I really know the story Lucas had in mind for Kenobi, but I believe he was implying by the end of ROTS and in ANH that Obi-Wan had lived on Tatooine for about 19 years in solitude watching Luke grow up and making sure the Empire (specifically the Emperor and Vader) never knew he was there.

So the thought of a movie is slightly abhorrent to me.

BUT.

Suppose I have no choice in this matter (I never do, sigh) and Disney makes a Kenobi movie.

I believe they have the chance to explore something really interesting: taking Luke when he is very young to Dagobah.

It’s like… something out of a dream, or, I don’t know.  Maybe I’m just going crazy.

Yes! That line! It bothers me and I’m sure it bothers other fans. Disney has the chance to correct something that Lucas, if he had more time in his movies perhaps, could have spoken to (along with Leia remembering her mother which is an even bigger grievance).

I’m unsure how they would work into the story line the need for Luke to go with Obi-Wan to Dagobah. There are plenty of reasons for Obi-Wan to go (more training on how to become a Force ghost or chat with Qui-Gon), but less compelling reasons for Luke to go. Not my problem how they work it out but this could be really interesting. Of course, this would mean enlisting a child actor which would be difficult, but again, not my problem.

This has been on my mind as well because my daughter is just beginning to understand and remember events and details. ARM now knows when we are getting close to our house when driving down the street. She knows when we go to one of her grandparents’ houses and knows where the children’s section is in the library. From 1.5-2.5 years could be the perfect time for Luke to go to Dagobah, forget it entirely, but feel an odd remembrance when he returns years later.

 

Do you think there will be a Kenobi movie? Are you in favor or not?

 

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TLJ: The Resistance Story Line & Characters

This is Part I of IV in an ongoing series where I review The Last Jedi.

 

I watched The Last Jedi again over the Christmas break and I came away feeling much happier with the overall movie. The first viewing definitely felt disjointed for me, but it flowed a lot better the second time around. I understood both a) Johnson’s direction and why he could have chosen certain routes, or b) character motivations.

Now that I have two viewings under my belt, I’d like to go into a TLJ series and delve a little deeper into the different storylines and characters we met or got to know better.

 

The Resistance

The Resistance was pummeled again and again in TLJ. It’s a very dark, desperate movie for most of our protagonists. The wins for the Resistance are small, and even though they ended up destroying so much of the larger ships of the First Order by the end, I still did not feel like the Resistance by any means won or came out ahead. It felt more like they barely escaped, which essentially, is the truth of it. I think this movie showed us more about the “wars” in the Star Wars title than Rogue One.

I felt a slight stab to my heart when they released the beacon at the end of the movie but no one had come to their aid. I wonder how that will play into the next movie. Were other supporters tracking what was happening and saw them lose more and more members and realize it may not be worth it? Will they rally around when they see Rey with her lightsaber, a sign that a Jedi has returned, a sign of hope?

With the main Resistance plot, I had two slight issues with the First Order tracking the them through hyperspace: 1) It reminded me strongly of the first episode of Battlestar Galactica, almost to the point of a rip-off and, 2) it takes away the strength of lightspeed. With ESB, this was cleverly done by having the Falcon’s hyperdrive malfunction/break. With TLJ, it seemed like a cheap way to spin old plotline.

That aside, we’ve never had the Rebellion/Resistance stuck. Just stuck. Nowhere to go, losing fuel, with more and more members being killed off by the First Order. It was very painful to watch. I think this movie drove home the fact that you lose lives in war more than any other Star Wars movie. It’s something that underlies the other movies but not something that is blatantly obvious. With TLJ, you get that point in the first 15 minutes and it breaks your heart. I thought the beginning battle sequence had a slight ROTS similarity, but the death of Rose’s sister and her sacrifice for the Resistance was gut wrenching. I don’t think I’ve ever felt like I was punched in the stomach that quickly into a Star Wars movie.

Poe

Poe is given a larger role in TLJ than he has in TFA and I enjoyed his character more. Thank goodness they gave him that scene in the beginning of the movie because otherwise he would have been a sitting duck the rest of the two hours. I’m glad we got to see some more of his pilot skills and some slight humor once more when he was bantering with General Hux.

I liked having Poe as a brash pilot who thinks and knows he’s that good that he can get away with what he wants. But he also strongly believes in taking the chances they have, which unfortunately ends up losing more lives than General Organa would like.

What I enjoyed immensely was how often he was put in his place by both Leia and Holdo. I feel like a lot of fans were upset about Poe’s treatment, which I understand, because we glorified the cocky, handsome pilot with Han but are punishing Poe. It’s easy to romanticize characters like Poe who are awesome at what they, but Poe is a working member of a military organization. If you are not obeying the rules of unity of command, then you are putting lives at stake and deserve to be demoted. He made constant mistakes throughout the movie by not being patient and it cost lives repeatedly. I believe that it was nice to see his behavior is not allowed and there are consequences for what he did. He lost too many lives for one chance. Was the chance worth it? Yes. But what if every good pilot was taking chances and not listening to orders? It can’t be allowed. And if it happens, there must be consequences.

Vice Admiral Holdo

I wasn’t sure how I felt about Vice Admiral Holdo. I thought she was a good addition in the sense that it was nice to see Leia have a female friend and I liked seeing another high-ranking member of the Resistance be a female.

In my first post after watching TLJ, I could not understand why Holdo did not tell Poe her plan and strategy. I was upset about it. Yet after reading some tweets between fans, I realized that the only reason I wanted her to tell her plan was because Poe is a main character. At the same time, it contradicted what I have just mentioned about the military organization. Why should a high-ranking officer tell a brash pilot their plan? Especially someone like Poe who can’t seem to be patient and respect a higher rank?

Holdo’s sacrifice towards the end of the movie drove home again the desperation of the Resistance. They finally catch a break and head toward Crait in transports only to find themselves getting destroyed. Holdo turns around and saves the remaining members of the Resistance by sacrificing her life. I wanted to cheer and cry at the same time.

As an addition to the movie, I’m not sure if Holdo was the strongest character, but I did appreciate her end. I went from being annoyed at her to admiring her. For a short amount of screen time, that’s impressive.

General Organa

The first time I watched TLJ, I was waiting for Leia to die the entire movie which made the movie a little distracting. Some of me wishes I had known she was not going to die, because then I could have watched her scenes with more interest, instead of trying to become slightly detached because I knew her death was imminent.

There is always one scene in each of the new movies that I can’t stand, and in this one it was Leia floating through space to get back to her ship. In a way, I thought the fake-death was a fitting ending for Leia’s character. Her son does not kill her, but it still gets her death out of the way early in the film. I also think it would have made Vice Admiral Holdo’s character stronger. Instead, she survives her stint in space while somewhat frozen, and propels herself back to her ship using the Force. It was just…silly. This is one of those scenes where people tend to either love it or hate it. I am going for the latter.

I enjoyed Leia’s character development for most of this movie. We saw her as a mother, a leader, and a friend. I don’t think we’ve ever seen that combination before. In TFA she was a mother, a lover, and a leader. It was nice to see her friendship with Holdo, another woman, as I mentioned previously. Her connection to Ben showed her strength in the Force, so much so that she knew he was going to shoot her ship, but then decided not to. When she demoted Poe in the beginning of the movie, it also kind of reminded me of her leadership in ANH, when she was being rescued by two kids who needed her rescuing more than she needed theirs.

My only disappointment with Leia, and I know so many people felt like this, is that the movie did not give her a satisfying death. Since we know she will not be in Episode IX, it would have been appropriate to find a time where she could die and work that into the storyline.

Crait

The last scene on Crait was interesting, mostly because it reminded me of a Star Wars Rebels episode. I’m finding as I continue to watch these movies under Disney, I see traces of how they are pulling the canon into a cohesive unit. Together, but separate. I liked that it was in old Rebel base so it tied back to the Original Trilogy and the Vulptexes (crystal foxes) also reminded me of how Rebels often finds ways to bring animals into their storylines. The most important part to take away from this scene/ending (other than the Luke/Ben showdown), was that Poe was taking over in command. It’s almost as if Leia gives her blessing when she tells everyone to follow him instead of looking to her. It’s a small moment, but I believe it will be critical to how we view Poe in IX.

One of the most important lessons I took away from TLJ was to always do the right thing, no matter how hard it might be. I talked with a lot of people who thought the overarching sentiment was to never give up hope. Yes, I believe that is true, but I came away with the fact that you never, ever give up doing what you believe is right. Even when all the odds are against you, you keep at it because that is what will produce the hope that others need.

 

What was the lesson you took away from watching the Resistance and it’s characters in TLJ?

Haiku Me Friday! Snoke and the Force

Twisted, deformed
But I am so much stronger
Should I use the Force?

I haven’t talked about Snoke in a while. But his theme music came on today when I pulled up my blog post to write so now is as good a time as any, especially with TLJ in less than a month.

***Please – I am trying to stay as spoiler-free as possible, so do not list any spoilers if you know them!

I’m interested to see what and who his character is. I have always stated strongly that I really, really hope he is not Palpatine. But at the same time – as we get closer to The Last Jedi, I find that I have more of an open mind. I’m not sure who he is, and some of me doesn’t really care.

Looking at the TV spot/trailer, it seems like he knows how to use the Force – or, it’s implied though it could be some fancy editing. I liked the theories out there that said Snoke is not a Force user, just a crazy manager of the Knights of Ren with extensive knowledge of, well, everything.

I think, in some ways, it would be weirdly delightful to have no explanation on him and he would be like Yoda – just enough info, but most of it is locked away. I know that won’t happen as Disney is going to try to exploit as much as possible – but I thought it would be an interesting turn to just accept a character for once, instead of knowing his entire back story.

I’m dreaming.

And if Snoke is Palpatine, I will be disappointed though I think not nearly as disappointed as when I was first speculating theories almost two years ago. I guess it could make sense, but I believe Disney is trying to lead us down the direction of thinking he is Palpatine (his disfigured face, looming presence, etc.) to throw the fans off.

In the end, does it matter?

Not that much. We’ll probably end up accepting the explanations they tell us.

 

What’s your favorite Snoke theory so far?

Haiku Me Friday! Can the Force awaken?

It’s stunning, but yet…
This keen sense of foreboding
Erases beauty

The end of ESB is a pivotal moment in Leia’s life. As they arrive at Cloud City, Leia begins to really feel the Force. I think it begins with her ill feelings towards Lando. She doesn’t trust him, and it’s not the normal this-guy-is-kinda-too-forward-and-possibly-sleazy feelings. It’s a sense of something not being right.

She tries to tell Han a few times about her misgivings, but he does not do a good job of assuaging her fears, amiright?  I’m not sure if this is a woman-only thing but while watching this movie as I’ve gotten older, I think, “What is he doing? He’s reassuring her in the worst way possible!”

Yet in a way, perhaps his lame reassurances only helps heighten her Force sensitivity even more.

As I’ve thought about the Cloud City scenes more in depth, and Leia’s role, I see how often she was in tune to the Force. Not only did she sense something wrong with Lando and how he was “too friendly”, but she sensed when Luke had arrived too. How would she have known he was right around the corner and risk telling him that he was walking into a trap? I think the Force guided her.

Perhaps there is something to be said about an “awakening” of the Force. I know that fans have argued about this since TFA came out…some fans think it’s ridiculous that Rey could magically use the Force right when she needed it, and others think it had been slowly growing in her since leaving Jakku.

We can see this with Leia in Cloud City as well. Her awakening begins when she arrives and slowly blossoms to the point where she is able to turn around and find Luke after his confrontation with Darth Vader. The baby steps with the Force are taken until she can confidently know and follow the Force without hesitation.

So can the Force awaken within someone? Is that possible? Can it lie dormant and be woken up?

Or do you believe it is always there; the person is using it without being aware, and then realizes they can use it?

There’s a fine difference. If you go with an “awakening” theory – then the person has no access to the Force until for some reason or another, it is woken within them. Now they have complete access to it, almost like unlocking a special level in a video game.

If you go with the other theory, then the Force is always present within you and you were always using it, but once you realized it, you were able to harness it more. It’s like Harry Potter – he used magic quite often without realizing it, but once he found out he was a wizard, he was able to harness it and use it.

I think both theories still line up with Lucas’ explanation of the midi-chlorians, in a certain way (though I realize that post-Disney takeover is trying to stay away from midi-chlorians…they are still canon). Perhaps midi-chlorians can lay dormant or they are always working within you.

This post would advocate for the Awakening theory – based on Leia and her Cloud City experience.

 

Discuss with me!

Another Happy Landing: The Endings of Star Wars Films

One of my favorite things about Star Wars, ever since I first saw it when I was a child, was the endings of the movies.

As I got older, I saw the endings as slightly corny, but they still satisfied me. Why? Because while George Lucas created endings that were corny or too-nicely-tied-up-in-a-bow, there was a sense of hope and happiness…sometimes more weighted on one than the other – but still there, nevertheless.

With ANH, Lucas did not know if he would be able to continue Star Wars or if it would be a big flop. He opted to make a story that had a clear and decisive beginning, middle, and end. Sure, he left some ties open (we don’t know the fate of Darth Vader) but overall, the Rebellion won. It had hope and happiness handed to us on a silver platter. It was an ultimate feel-good ending.

I believe that ESB is the only film under Lucas’ hands that has the most question marks. We have no idea if Luke and Leia will be able to get Han back. We don’t even know if Han is alive. In a more subtle way, we don’t know if we can still trust Lando. What about Luke’s training on Dagobah? Will he go back? Is Darth Vader really Luke’s father? How did Leia sense where Luke was? Does she also have the Force?

Yet, despite all these questions, we watch Luke get a new hand and exchange smiles with Leia. They move to look out the window to an infinite galaxy. Threepio and Artoo stand on one side. It is one of my favorite shots of all time. Instead of looking at the camera, everyone is facing away, and it gives more credence to the loose ends of the movie. But it’s beautiful. And it’s an ending. When they look out into the galaxy, I have a feeling of hope and inspiration.

ROTJ is the corniest, in my opinion. Lucas thought this would be his last (or at least for a while – he did continue to have thoughts about telling Anakin’s entire story) Star Wars film and everything is nicely tied together in a bow. The Rebellion won (again)! Darth Vader was redeemed! Leia and Han are together! The Emperor was destroyed! We see almost the entire cast surrounded by dancing Ewoks and smiling benevolently into the camera. Happiness! Hope!

When Lucas filmed the Prequels, he continued his trend of concise endings, using the themes of hope and happiness.

With TPM, the ending is almost as exuberant as ROTJ or ANH. There are some lingering questions in the background presented by the Jedi at Qui-Gon’s funeral, but overall, the celebration of Naboo is nothing short of glorious. Everyone is looking at the camera and the corny level is quite high.

AOTC is the only film out of every Star Wars film under Lucas that strays furthest from the theme of hope. I think it’s happy, yes, but in a bittersweet way. You are happy for Anakin and Padmé but the hindsight you have as an audience member, pangs you with bitterness. I do not think hope is lost entirely however. It may not be the first emotion you feel, but you know this union is necessary because “a new hope” is what arises from this wedding. Without this marriage – there would be no Luke and Leia who end up saving the galaxy further on down the line. In some ways, I think the Jedi were headed towards combustion, Anakin was the catalyst, and I believe the wiping out of the Jedi had to happen. It was doomed. So knowing that Luke and Leia are coming out of this ill-fated love match is one of those strange things where hope is present in this scene, though it may not be dominant.

As an ending, ROTS leaves us complete only because we know the entire story already. The sunset gaze by Beru and Lars evokes hope and the weight of responsibility as well. Lucas deftly wraps it up with that Tatooine sunset and closes the film and saga with a sense of satisfaction. We see baby Luke and know that the new hope has arrived.

And where does this leave TFA and Rogue One?

TFA breaks the tradition. It’s such a small thing, the ending of a movie. Yet, if you think about it, you expect a satisfying ending to probably 95% of the movies you watch. There has to be a conclusion of some sort.

Disney leaves me a little jaded with TFA. Their over-confidence (…is their weakness) in knowing that they don’t have to really give us an ending frustrates me. Unlike the other films in the saga that were under Lucas’ direction, TFA does not leave me with hope or happiness. I’m not sure what feelings I take away from it now. It’s neither negative nor positive. I am apathetic for this ending that is not an ending but more like you are putting a bookmark in a book. I know Finn will survive because it’s too early in the Sequel Trilogy to kill him off. Rey is standing there with a strange look on her face and an outstretched arm to an older, grizzled Luke Skywalker who has an even stranger look on his face. Then we have this strange moment where the camera spins around them on the island where Rey is standing there with the arm outstretched trying to hand Luke his lightsaber. Too much movement compared to the other endings!

I didn’t notice the lack of an ending at first. In fact, the first time I watched it, I remember thinking as the shot spun around Luke Skywalker and Rey, “This had better not be the end because we just saw Luke for the first time.” But it was. I was discombobulated but I chucked it up to seeing the new Star Wars film and having a lot to think about.

Yet every time I watch it again, I get more annoyed and I blame Disney and Kathleen Kennedy for most of this. I did not realize how entrenched the Star Wars endings are in my psyche and how much I yearn for them until I compare the Lucas films to the new Disney films.

Rogue One has an ending, but I find it contrived and forced. A CGI Leia says, “Hope,” and it’s a good whack on the head of forcing us into what we should feel. Their effort on the ending of the film should have been less focused on a CGI Leia and more emphasis placed on a beautiful shot with a decent ending that evokes feelings instead of shoves it down our throat. You could argue that the hyperspace jump right after Leia says that is the shot but…it’s action. It’s not a still moment where we appreciate the end of a Star Wars movies.

When I compare the endings, I almost see George Lucas as a more humble director who wraps up each film nicely…just in case. Just in case no one wants to see another Star Wars movie or he never gets to do one again. He gave us a small moment at the end of each film to reflect on what we had just seen. There was no crazy spinning shot, no ships jumping to hyperspace – only his way of saying, “Did you enjoy my movie? I give you time to digest your thoughts and what you saw.”

We have now broken that with TFA and RO and I miss my feeling of hope and happiness at the end of a Star Wars film. I miss the ending being clear cut. I miss the beautiful, panoramic shots that were breathtaking. I miss that still, quiet moment of reflection.

Will we never have that again? Since Disney is planning on creating Star Wars films until I’m old and grey and no longer blogging, is their overconfidence going to extend to the point that we’ll never have that corny Star Wars ending again?

If so, RIP endings to Star Wars films that brought me hope and happiness. You will be missed.