Machete Theory: Review

I did it. I watched 7 Star Wars movies over 7 weekends. You may be thinking, “Really? That’s a feat?”

Yes. Why yes, it is.

I have a 19-month-old toddler. I run my own business and I’m up early in the morning working and late at night working. We bought a new house that we have been working on. It is the Christmas season.

Dammit, yes, 7 movies in 7 weekends is a lot!

If you remember, I decided to prep for The Last Jedi by watching every Star Wars saga movie in the Machete Theory order.

To recap, I watched them in this order: IV, V, I, II, III, VI, VII. This is not the original Machete Order, but my version because I love TPM and TFA is a new addition.

I also tried to pretend I was watching these movies for the first time and being introduced to Star Wars as a rookie. (This is important as many people suggest showing your children the movies in this order or to people who have not seen the movies.)

My verdict? I was not impressed. In fact, I’m not sure I liked this viewing sequence. I’m happy I did it, to finally get it out of the way because I’ve been obsessed with it for a while, but I won’t do it again.

There are few reasons here. (Excuse my lists lately on blog posts; they help me organize my thoughts cohesively)

  1. It doesn’t make sense.
  2. The flow is horrible.
  3. You can’t get strongly connected to the characters.

 

Before going more into detail on the above points, I do want to point out one tremendous pro to the Machete Order: You get more invested in Anakin as a character.

This is, after all, the point of the Machete viewing. You follow Anakin’s story much closer than you do if you split the trilogies up. I find the character fascinating but I’ve never had the connection I feel for, say, Luke or Rey. Yet over these past few weeks, I’ve understood more about Anakin than I ever have when I watched the movies as single one-offs.

For that reason alone, I do say every fan should try watching the movies in this specific order at least once in their life.

Now onto why I wouldn’t watch it in this order again.

 

It Doesn’t Make Sense

This was the biggest surprise for me. If you are watching the order in Machete style for the first time, you do not know who Anakin Skywalker is.

Think about it:

  1. ANH – Kenobi mentions a pupil named Darth Vader betrayed and murdered Luke’s father.
  2. ESB – It is revealed Vader is Luke’s father. We don’t know his first name. (***Please note, I am referring to the ORIGINAL THEATRICAL version of ESB. The scene when Vader speaks to the Emperor via hologram is later edited in the DVD versions to include Anakin’s name)
  3. TPM – Anakin’s full name is not mentioned until…get this…the podracing scene where they refer to him as a “late entry” to the race. He introduces himself as Anakin quickly to Padme in the angel scene and his name is mentioned when Padme says goodbye. It’s not until the podracing scene that they say his full name is Anakin Skywalker. There are a lot more mentions of his last name during the podracing scene, which helps, but right now, I would believe we were following Obi-Wan’s life, not Anakin’s.
  4. AOTC – Suppose I skip TPM and follow the original Machete order. We still run into the problem that Anakin’s last name is not mentioned in relation to him! It’s worse than TPM as the only time we run into his last name is when he is looking for his mother.
  5. ROTS – By this point, it evens out and we understand that Anakin’s last name is Skywalker.

As you can see, this is a big problem. If you are watching Star Wars for the first time, it is essential that you understand that Anakin is Luke’s father. The Leia surprise can wait, but it’s vital to the viewing of the Saga to understand who Anakin is. By watching the Machete Order, it would take a long time to understand that Anakin was the father to Luke. Like I mentioned, while watching it this way, I believed I was seeing the story of Obi-Wan’s life, not Anakin.

The Flow

There is a reason the audience should watch them I-III or IV-VI, and then VII separately. The most obvious reason are the special effects. The special effects make such a big difference on how we view the movies and I often forget that since I’m so entrenched in the mythology and story of Star Wars.

The Original Trilogy has more of a slow, plot-driven feel to it. Even though the special effects are good, it’s an older movie now and I find myself trying to follow along with figuring out who the Empire is versus the Rebellion. The redeeming part is that the basic plot is easy to understand and the characters are very relatable.

After watching ANH and Empire, I jumped into TPM, AOTC and ROTS. It was very jarring and slightly absurd. With ANH and ESB, I felt like the plot was relatively easy to follow. When I went into TPM – I couldn’t understand a thing. It was much faster; the effects they used made the movie seem like BANG! KAPOW! ZOOM! It made the saga seem disjointed and there are so many new characters. Most of the characters we focus on from the OT are Luke, Leia, Han, Vader, Kenobi, the droids, and Yoda. In The PT we have bounty hunters, the Jedi Council, multiple senators, Jar Jar, and a new species in each movie.

The flow when watching in this order didn’t fit well together. Lucas created these pieces of art in two different times in his life and wanted them to represent two different times of the galaxy. When watching it as a newcomer, it is irritating and it was hard to get into the PT after coming from the OT.

 

Connecting to Characters

This relates to my above point about the flow. One of the greatest parts about Star Wars are the characters. It’s very hard to get a lasting connection to the characters when they are chopped up from their trilogies. There is a lot of character development in the OT, and by taking ROTJ out of its place following IV and V, you get disconnected from some of the greatest feelings you may have when watching the OT whole. By ESB, you are really rooting for the characters. When you turn heel, and move to the PT, you must rework your feelings and do a 180 to understand a completely new set of people.

As with the different flow, the variety of environments and new faces make it hard to really feel for anyone except Yoda and Obi-Wan in the PT. I would also argue that it’s harder to connect to characters in the PT than in the OT. I believe, again, this is because the OT feels a lot more plot and character driven than the PT, which relies more on events to drive the movies.

 

As for TFA, I did not feel strongly one way or another about it, as it followed in the correct sequential order. The one note I did have, however, was I believe it is more different from ANH than I sometimes think. Broadly, yes, it pulled from ANH often. But minutely, not so much. There are enough differences to make it feel like the start of a new trilogy, but still within the same universe.

 

All that aside, if you watch the Machete Order as a seasoned fan, I think it can be enjoyable. I gained new experiences and felt deeply for Anakin in a different way than I had before.

If anything, if you choose not to explore watching the movies this way, I do recommend at some point watching ROTS followed by ROTJ. It was refreshing to watch Anakin’s fall and then his redemption within those two movies.

 

And now ladies and gents…onto The Last Jedi.

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Breaking Bread in Star Wars

In Game of Thrones, the significance of meals, soups, and stews cannot be overlooked. I love that important events happen around the table and eating: Joffrey gets murdered/poisoned during feast, the Red Wedding takes place during another feast, many of Olenna Tyrell’s witty and strong speeches are given over food, and some of the secret meetings often involve wine and tea cakes.

Food, in general, plays an important role in literature. Think about Alice in Wonderland with the Mad Hatter’s tea party or Chocolat where chocolate drives village folk to break their Lenten vows. How about Macbeth when he comes newly to the crown and has a feast (complete with scary visions)? And let’s not forget how Harry Potter was denied the ability to sit with his family to eat; often food was shoved into his broom cupboard, or later, his upstairs room, representing a denial of familial blood/bonds.

This of course got me thinking…what about Star Wars? Does Lucas put the same emphasis on meals as our literary friends? I’m going to take a look at the most important scenes involving food.

Let’s analyze!

 

Episode I – The Phantom Menace

The most important meal scene here would be when Qui-Gon, Padmé, and Jar Jar take refuge with Anakin and Shmi on Tatooine due to the sandstorm. This scene is very essential as it ties together some speculations, as we see Qui-Gon revealing to Anakin that he is a Jedi and Qui-Gon’s speculation that Anaking has Jedi reflexes due to the fact that he can drive (fly?) a podracer.

In one sense, it’s a meeting of the past and future. We see the old way of life and the Jedi Order with Qui-Gon Jinn. We see the future and the change in the galaxy with the meeting of this boy.

It’s also a moment where rich and poor come together. We see this clearly with Padmé who doesn’t understand slavery still exists, juxtaposed against Shmi who probably views her as a little naïve for not understanding the Outer Rim.

 

Episode II – Attack of the Clones

There are two specific meal scenes I want to focus on (sadly, I’d like to focus on when Anakin meets Padmé’s family, but since that was a deleted scene, I will keep it out of the picture (pun!)).

Meal 1: Anakin and Padmé on the Coruscant Freighter to Naboo

This is the first time we see Anakin and Padmé have a real, adult conversation that digs a little deeper into the Jedi life. Padmé teases the surface to see if Anakin’s flirtation could ever turn into something more substantial. We see them connect more as adults on an even playing field, versus what was happening earlier when Padmé was still trying to distance herself as the older and “wiser” of the two.

Here, too, there’s a connection of two different worlds and lifestyles meeting each other. There is the secular, political world which Padmé is a part of and the reclusive, temperate world that Anakin has sworn his life to.

Meal 2: Anakin and Padmé on Naboo

This meal is almost as if our characters were leveling up in a video game. They’ve approached each other with caution in Meal 1 and now they’re sparring flirtatiously (or should I say they’re having aggressive negotiations?) in Meal 2. The walls separating their worlds between them both have melted away a bit. Anakin now teases the Jedi and his master, Obi-Wan, slowly pushing aside their world. We see Padmé begin to pull Anakin into her world: not only are they literally on Naboo, her home planet, but also figuratively as he begins to grow more in love with her as a person.

Instead of two worlds meeting, we have two lives overlapping. This scene reminds me of a Venn diagram: Padmé, politics, wealth on one side with Anakin, Jedi, and isolation on another.

 

Episode III – Revenge of the Sith

Nothing to note.

 

Rogue One

Nothing to note.

 

Episode IV – A New Hope

The only scene in this movie with a meal involves Luke conversing with Uncle Owen while Aunt Beru silently watches the exchange. It’s here where we find out that Luke has a father, who for some reason, is mysterious and not much is known about him. Luke also vents frustration about staying on Tatooine for another harvest.

The meal itself seems normal enough if you’ve ever had a meal with a teenager, but the difference with this meal is the emphasis on Luke’s father. Luke is clearly interested in knowing more and is intrigued by the detail that Old Ben knew him, but Uncle Owen squashes that conversation quickly.

The main difference in this meal is that while the meals in the Prequels are pulling people together, this meal seems to be pushing people apart.

 

Episode V – Empire Strikes Back

Meal 1 – Luke eats a meal in Yoda’s hut

Again, similar to ANH, this meal is one of discord and tension as opposed to harmony. Luke is impatient and wants to find a Jedi Master. This little green being has invited Luke into his home and is trying to be hospitable, to bring warmth and friendliness to the meal, but all Luke wants to do is leave. How horrible! It reflects so poorly on him. Yoda also seems to be gauging Luke to see if he will open up to becoming more patient and is testing him.

Instead, the meal falls apart to the point that when Yoda is revealed to Luke, Yoda almost refuses to train him. The two Force-sensitive beings are pushing apart at this meal instead of coming together as they should be to save the galaxy.

Meal 2 – Lando’s betrayal

There’s not much to this meal time, but damn is it memorable. This is the Star Wars version of the Red Wedding. Han and Leia think they are going to a friendly meal with Lando, only to find that he betrayed them all.

Interestingly though, this is the first and only time we really see formal dining in the Star Wars movies. If anyone is wondering how the meal turned out, you should watch this version.

Out of all the meals in the Star Wars movies, this has to be the biggest antithesis of what meal times should be. Meals should be about coming together, letting bygones be bygones (temporarily) and as we saw in the Prequels, worlds meeting in a friendly manner.

We definitely have different worlds meeting together in this meal, but it is the opposite of opening your mind, sharing warm conversations, and attempting to be friendly.

The Empire and the Rebellion stirred together with some betrayal left a bad taste in everyone’s mouth. (That was the greatest line I’ve ever typed)

 

Episode VI – Return of the Jedi

Though not necessarily a meal, I wanted to include the scene of Leia handing Wicket the rice cake because it speaks back to my theme of bringing different worlds together. In this instance, which is different from the Prequels, Leia’s act of sharing a meal with someone completely different is what saves her life and topples the Empire.

It is often mentioned that food is a great way to bring together different cultures, even if they cannot speak the same language. We see this with Wicket and Leia on Endor. Despite their differences, the food helps Wicket overcome his hesitation to befriend Leia. In turn, he helps her take down a scout trooper and she goes with Wicket to his village. This helps her save her friends (who were also going to actually become the meal), disable the shield around the Death Star and bring down the Empire. And this all became possible because of a rice cake, imagine that.

 

Episode VII – The Force Awakens

Meal 1 – Rey’s solitary meal

For obvious reasons, this meal was shown to emphasize that Rey was alone. She was a girl on a lonely, desolate planet. I think this meal, though it could have been cut from the movie, was important to show us how isolated she was on Jakku.

In some ways, eating meals by ourselves is sometimes viewed by others with pity. Not many people go to restaurants alone, and even eating at your desk sometimes feels a little shameful. As human beings, we were meant to eat as part of a community. Though, in some ways, I think the American culture has forgotten (or ignored this as we prefer to place an emphasis on being busy), we still put an importance on eating together on holidays.  At our root, our cultures like to take coffee breaks, tea breaks, water cooler breaks,  so that we have a chance to connect with other beings.

Rey’s act of eating alone in a desert (another place that often symbolizes lack of life) forces us to acknowledge how secluded she is.

Meal 2 – Maz Kanata’s castle

This meal mirrors the meal from TPM slightly. We have four people from greatly different worlds, pulled together around a table for a meal. Whereas TPM was a happen chance, this meal was forced by Han Solo. Finn is an ex-First Order Stormtrooper, Rey is a loner from Jakku, Han is a smuggler, and Maz is…a Force-sensitive being (and totally also a hoarder – say what you want, but if you read any description of her, she belongs on TLC).

This meal is a meeting of the worlds, but not an overlap. Everyone still has their boundaries firmly in place once they leave. Yet here at this meal, they learn a little bit more about themselves. Instead of learning about others as we saw in most of the meals in Star Wars, they each understand a bit more about who they are and what they may have to do.

 

I was hoping to come away from this analysis feeling like there was a deliberate reason for each meal scene in Star Wars. I think that’s the case for some, but not all.

What I enjoyed observing the most was that the meals in the Prequels were focused on bringing together people from very different ways of life, into an open discussion and understanding of each other.

With the Original Trilogy, meal times were focused more on strife, discord, and a sense of unbalance. The meals highlighted tension for our characters and the larger political scene at large. Leia’s sharing of the rice cake with Wicket is the only instance in the OT where we see something closer to what we saw in the PT.

With TFA, I think the meal scenes were much more deliberate and placed within the movie for a reason: to help us understand the characters better.

 

With Thanksgiving and the holiday season approaching, food plays an important part in our lives. Though we love to gather around our tables and eat during the holiday season, do we also keep an open mind and realize that at any meal, we have a meeting of the worlds? Do we try to keep ourselves from discord and tension (and hopefully betrayal)?

 

Did I miss any meals that you think should be part of this list?

 

Starting this weekend – join me :)

Starting this weekend we have exactly 7 weekends left until The Last Jedi arrives in our lives.

I decided to use this time to watch one Star Wars episode each weekend. If you’ve followed my blog for a while, you’ll know that I’ve had a bit of a fascination with the machete theory. I have always wanted to try watching the movies in this order to see what kind of response it generated from me, but I never had the time or motivation. However, since I’ve been super organized this year, I will use these weekends to watch the Star Wars movies in my own modified version of the machete order: IV, V, (I), II, III, VI, (VII). Parentheses indicate that these episodes were not in the original machete theory order. The inventor of this order believed that:

  • The Phantom Menace was lousy and there was nothing in it that greatly contributed to the saga as a whole, and
  • The Force Awakens was not part of the original machete order as it had not been released.

I’m sorry, but I love TPM so there’s no way I can cut that out of the viewing order. Seeing Anakin when he was so innocent and young lends a lot to the Saga. You see where his main fear of losing people comes from: Shmi, his mother. It frustrates me when people easily wave aside TPM when I think it’s one of the strongest movies of the Prequels. But, alas, a discussion to rehash at another time.

Created by mintmovi3, deviantart

I’d love for any of you to join me in this! You don’t have to watch the movies in the machete order, but I do think it will be a good way for all us fans to get ready for TLJ and gain new insight into the saga. I think one movie a week is pretty doable. I hope to reflect and write out some thoughts here if anything inspires a full post.

I kind of wanted to create a hashtag for this experiment as well, but felt like that was a little too much. But I’m open to suggestions if you have any!

7 weekends left until TLJ! MTFBWY.

Another Happy Landing: The Endings of Star Wars Films

One of my favorite things about Star Wars, ever since I first saw it when I was a child, was the endings of the movies.

As I got older, I saw the endings as slightly corny, but they still satisfied me. Why? Because while George Lucas created endings that were corny or too-nicely-tied-up-in-a-bow, there was a sense of hope and happiness…sometimes more weighted on one than the other – but still there, nevertheless.

With ANH, Lucas did not know if he would be able to continue Star Wars or if it would be a big flop. He opted to make a story that had a clear and decisive beginning, middle, and end. Sure, he left some ties open (we don’t know the fate of Darth Vader) but overall, the Rebellion won. It had hope and happiness handed to us on a silver platter. It was an ultimate feel-good ending.

I believe that ESB is the only film under Lucas’ hands that has the most question marks. We have no idea if Luke and Leia will be able to get Han back. We don’t even know if Han is alive. In a more subtle way, we don’t know if we can still trust Lando. What about Luke’s training on Dagobah? Will he go back? Is Darth Vader really Luke’s father? How did Leia sense where Luke was? Does she also have the Force?

Yet, despite all these questions, we watch Luke get a new hand and exchange smiles with Leia. They move to look out the window to an infinite galaxy. Threepio and Artoo stand on one side. It is one of my favorite shots of all time. Instead of looking at the camera, everyone is facing away, and it gives more credence to the loose ends of the movie. But it’s beautiful. And it’s an ending. When they look out into the galaxy, I have a feeling of hope and inspiration.

ROTJ is the corniest, in my opinion. Lucas thought this would be his last (or at least for a while – he did continue to have thoughts about telling Anakin’s entire story) Star Wars film and everything is nicely tied together in a bow. The Rebellion won (again)! Darth Vader was redeemed! Leia and Han are together! The Emperor was destroyed! We see almost the entire cast surrounded by dancing Ewoks and smiling benevolently into the camera. Happiness! Hope!

When Lucas filmed the Prequels, he continued his trend of concise endings, using the themes of hope and happiness.

With TPM, the ending is almost as exuberant as ROTJ or ANH. There are some lingering questions in the background presented by the Jedi at Qui-Gon’s funeral, but overall, the celebration of Naboo is nothing short of glorious. Everyone is looking at the camera and the corny level is quite high.

AOTC is the only film out of every Star Wars film under Lucas that strays furthest from the theme of hope. I think it’s happy, yes, but in a bittersweet way. You are happy for Anakin and Padmé but the hindsight you have as an audience member, pangs you with bitterness. I do not think hope is lost entirely however. It may not be the first emotion you feel, but you know this union is necessary because “a new hope” is what arises from this wedding. Without this marriage – there would be no Luke and Leia who end up saving the galaxy further on down the line. In some ways, I think the Jedi were headed towards combustion, Anakin was the catalyst, and I believe the wiping out of the Jedi had to happen. It was doomed. So knowing that Luke and Leia are coming out of this ill-fated love match is one of those strange things where hope is present in this scene, though it may not be dominant.

As an ending, ROTS leaves us complete only because we know the entire story already. The sunset gaze by Beru and Lars evokes hope and the weight of responsibility as well. Lucas deftly wraps it up with that Tatooine sunset and closes the film and saga with a sense of satisfaction. We see baby Luke and know that the new hope has arrived.

And where does this leave TFA and Rogue One?

TFA breaks the tradition. It’s such a small thing, the ending of a movie. Yet, if you think about it, you expect a satisfying ending to probably 95% of the movies you watch. There has to be a conclusion of some sort.

Disney leaves me a little jaded with TFA. Their over-confidence (…is their weakness) in knowing that they don’t have to really give us an ending frustrates me. Unlike the other films in the saga that were under Lucas’ direction, TFA does not leave me with hope or happiness. I’m not sure what feelings I take away from it now. It’s neither negative nor positive. I am apathetic for this ending that is not an ending but more like you are putting a bookmark in a book. I know Finn will survive because it’s too early in the Sequel Trilogy to kill him off. Rey is standing there with a strange look on her face and an outstretched arm to an older, grizzled Luke Skywalker who has an even stranger look on his face. Then we have this strange moment where the camera spins around them on the island where Rey is standing there with the arm outstretched trying to hand Luke his lightsaber. Too much movement compared to the other endings!

I didn’t notice the lack of an ending at first. In fact, the first time I watched it, I remember thinking as the shot spun around Luke Skywalker and Rey, “This had better not be the end because we just saw Luke for the first time.” But it was. I was discombobulated but I chucked it up to seeing the new Star Wars film and having a lot to think about.

Yet every time I watch it again, I get more annoyed and I blame Disney and Kathleen Kennedy for most of this. I did not realize how entrenched the Star Wars endings are in my psyche and how much I yearn for them until I compare the Lucas films to the new Disney films.

Rogue One has an ending, but I find it contrived and forced. A CGI Leia says, “Hope,” and it’s a good whack on the head of forcing us into what we should feel. Their effort on the ending of the film should have been less focused on a CGI Leia and more emphasis placed on a beautiful shot with a decent ending that evokes feelings instead of shoves it down our throat. You could argue that the hyperspace jump right after Leia says that is the shot but…it’s action. It’s not a still moment where we appreciate the end of a Star Wars movies.

When I compare the endings, I almost see George Lucas as a more humble director who wraps up each film nicely…just in case. Just in case no one wants to see another Star Wars movie or he never gets to do one again. He gave us a small moment at the end of each film to reflect on what we had just seen. There was no crazy spinning shot, no ships jumping to hyperspace – only his way of saying, “Did you enjoy my movie? I give you time to digest your thoughts and what you saw.”

We have now broken that with TFA and RO and I miss my feeling of hope and happiness at the end of a Star Wars film. I miss the ending being clear cut. I miss the beautiful, panoramic shots that were breathtaking. I miss that still, quiet moment of reflection.

Will we never have that again? Since Disney is planning on creating Star Wars films until I’m old and grey and no longer blogging, is their overconfidence going to extend to the point that we’ll never have that corny Star Wars ending again?

If so, RIP endings to Star Wars films that brought me hope and happiness. You will be missed.

 

Ranking the Soundtracks

I’ve been sitting on writing this post for a while.  I thought it would be fun, in follow up to the post I wrote years ago on the best compositions in Star Wars (here and here), to instead write my rankings of the soundtracks.  Instead of individual pieces, I wanted to look at the soundtracks as a whole.  Which do I think are the top and which do I think make it to the bottom?

The only reason I’ve been sitting on it for so long is because IT’S SO HARD.  It changes often but I wanted to imagine someone asking me to give my final answer, as if I were playing Who Wants to Be a Millionaire, and something was on the line.

After much thinking (like two months, seriously), here is my own personal Best of Star Wars Soundtracks list:

8.  Rogue One.

I’m not sure if it’s the fact that I didn’t really like Rogue One as a movie or it’s the fact that John Williams did not write the soundtrack that caused this movie to be on the bottom, but there you go.  The second time I watched it, I did come away feeling slightly more kind towards the music, but I think both having a different composer and not enjoying the movie was a double whammy that landed this at the bottom of the list.  Plus, it never had the wonderful themes that we love so much played enough throughout it.  I am planning on listening to it more, but for now, it ends up on the bottom.

7.  Attack of the Clones

One of my favorite pieces is Across the Stars.  It wows me and moves me every time I listen to it.  But as a whole, AOTC is slightly underwhelming.  There are probably about 2-3 tracks that I would want to listen to that on the soundtrack and if I were being perfectly honest, none of them stand out like Across the Stars.

6.  A New Hope

Agh, I hate even ranking this soundtrack so low because A New Hope introduced the world to Star Wars music.  Some of my favorite tracks of all time are in ANH.  But if I was looking at it as a whole, ANH involves too much brass in it’s soundtracks to make me rank it any higher.  The staccato, brass music is not my style and I don’t like listening to it too much and often skip most of the tracks.

5.  The Force Awakens

Number 5 and 4 are in close competition.  I love Rey’s theme and it was my top listened to track of 2016 (according to Spotify).  Currently, my most listened to track is The Jedi Steps.  Clearly, I love some of the pieces.  March of the Resistance and Kylo Ren’s theme (okay not really called that but it’s played whenever he comes on screen) are also really well done.  I originally did not like the soundtrack that much but as time has gone on, I have listened to certain tracks at least once a week.  I love it, but the reason it’s still ranked lower than most is that I believe I love it because I’m a Star Wars fan.  When leaving the theater, there were not many pieces that made me want to run home and figure out which music was playing when.   My love affair with the TFA soundtrack grew over time as a fan, but I don’t think there is anything in the soundtrack that stood out to the casual viewer.

4.  The Phantom Menace

I love TPM’s soundtrack.  It was a fresh new sound to the Star Wars music and set the Prequels off on the right foot.  The Naboo Palace was one of my favorites, and I loved the battle droid music.  Anakin’s theme was softer than expected but had hints of darkness at the end.  Duel of the Fates is unbeatable and is still one of my favorite tracks of all time.  I probably also rank it higher because it was the first Star Wars soundtrack I ever owned (on cassette!) so nostalgia plays a big part in this decision.

3.  The Empire Strikes Back

There are some great pieces in ESB, namely of course, The Imperial March.  That track is SO GOOD.  I love the Imperial March and could listen to it over and over again.  I also love Yoda’s theme and the music played throughout Cloud City at the end of the soundtrack.  The Asteroid Field and Han and Leia are excellent tracks that round out this soundtrack and brings it to the next level.  I feel like this soundtrack is balanced well, but again, not something I could probably listen to over and over again.  The key pieces are amazing but there are some others in there that bore me.

2.  Revenge of the Sith

I think ROTS is one of the most underrated soundtracks out of all the Star Wars movies.  The expanse of what the soundtrack covers is breathtaking.  Some of the most moving pieces in the Saga come from ROTS.  Battle of the Heroes is the most prominent track, but Padmé’s Ruminations still stands up there as one of my favorite compositions of John Williams.  Every time I listen to it, I actually DON’T want to listen to it because of the breadth of emotions it pulls from me.  I think General Grievous’ theme is brass done well.  The soundtrack flows in a way that even without seeing the movie, you can follow along with the music and feel your soul move.  It starts out fast, clipped, and semi-dangerous.  By the end, your heart is broken and full of foreboding.  If I had never seen the movie, I would still be able to feel the emotions I am supposed to.

1.  Return of the Jedi

I place ROTJ first because it’s a soundtrack where I like almost every single one of the compositions created by John Williams.  Not only does it flow well, but it mixes some of my favorite music throughout the entire soundtrack.  We have the Force theme, the main theme, Luke and Leia, the Emperor’s theme, some of the Imperial March, the second Death Star battle, the Ewok’s forest battle music, and the celebration at the end.  It’s bittersweet in some places, we find resolution in other pieces, there is fear, hope and tension woven throughout the soundtrack.  If I had to listen to one soundtrack from the Star Wars universe for the rest of my life – it would be this one.

 

I’m surprised that I picked ROTJ as my favorite of all time (for now).  I didn’t expect it when I first started out with this project.  Yet out of all the movies, it’s soundtrack has most of the compositions that I enjoy.

 

If you had to – how would you rank your favorite Star Wars soundtracks?