No comments. Just a haiku. Have a great weekend everyone.
No comments. Just a haiku. Have a great weekend everyone.
Who is a better pilot: Han Solo or Anakin Skywalker?
We are supposed to think Anakin Skywalker. We are told by Obi-Wan that he was the “best star-pilot in the galaxy”. We see Anakin’s amazing skill on display not only in the podracing scene in TPM, but also at the end when he destroys the Trade Federation’s battleship. I think the ending of TPM is one of the most impressive displays of Anakin’s skill as he was so young and not completely attuned to the Force at that time.
Here’s where we hit the tricky part.
Anakin has the Force. As Anakin matures with the Force, he becomes a better and better pilot (though we don’t see much of it in AOTC, we do see more of it in ROTS). Anakin can fly any ship, similar to Luke. That is probably a combination of both skill and the Force.
Han Solo does not have the Force. He has made special modifications to one ship, the Millennium Falcon and flies that for the entire time we know him (though that may soon change…what did Han fly before the Falcon? Does. Not. Compute. Brain. Collapse.). But to say Han Solo is not a good pilot would be like saying people on Tatooine don’t drink blue milk. Solo is an excellent pilot. He flew in an ASTEROID FIELD WITHOUT THE FORCE. Oh, and it wasn’t just an asteroid field…there were TIE Fighters and a Star Destroyer on his tail with the hyperdrive broken. Talk about a stressful situation! If I remember correctly, his odds of successfully navigating an asteroid field were 3720:1. I don’t think Goldenrod calculated the chances with TIE Fighters in hot pursuit, so the odds were probably direr. Oh, and lots not forget this famed Kessel Run which we may or may not see in the Han Solo movie.
But Han Solo has Chewie, who helps him. Does that detract points? Or does it make up for the fact that he doesn’t have the Force, as Anakin does?
So, let’s discuss.
Who is the better pilot: Han Solo or Anakin Skywalker?
One of my favorite things about Star Wars, ever since I first saw it when I was a child, was the endings of the movies.
As I got older, I saw the endings as slightly corny, but they still satisfied me. Why? Because while George Lucas created endings that were corny or too-nicely-tied-up-in-a-bow, there was a sense of hope and happiness…sometimes more weighted on one than the other – but still there, nevertheless.
With ANH, Lucas did not know if he would be able to continue Star Wars or if it would be a big flop. He opted to make a story that had a clear and decisive beginning, middle, and end. Sure, he left some ties open (we don’t know the fate of Darth Vader) but overall, the Rebellion won. It had hope and happiness handed to us on a silver platter. It was an ultimate feel-good ending.
I believe that ESB is the only film under Lucas’ hands that has the most question marks. We have no idea if Luke and Leia will be able to get Han back. We don’t even know if Han is alive. In a more subtle way, we don’t know if we can still trust Lando. What about Luke’s training on Dagobah? Will he go back? Is Darth Vader really Luke’s father? How did Leia sense where Luke was? Does she also have the Force?
Yet, despite all these questions, we watch Luke get a new hand and exchange smiles with Leia. They move to look out the window to an infinite galaxy. Threepio and Artoo stand on one side. It is one of my favorite shots of all time. Instead of looking at the camera, everyone is facing away, and it gives more credence to the loose ends of the movie. But it’s beautiful. And it’s an ending. When they look out into the galaxy, I have a feeling of hope and inspiration.
ROTJ is the corniest, in my opinion. Lucas thought this would be his last (or at least for a while – he did continue to have thoughts about telling Anakin’s entire story) Star Wars film and everything is nicely tied together in a bow. The Rebellion won (again)! Darth Vader was redeemed! Leia and Han are together! The Emperor was destroyed! We see almost the entire cast surrounded by dancing Ewoks and smiling benevolently into the camera. Happiness! Hope!
When Lucas filmed the Prequels, he continued his trend of concise endings, using the themes of hope and happiness.
With TPM, the ending is almost as exuberant as ROTJ or ANH. There are some lingering questions in the background presented by the Jedi at Qui-Gon’s funeral, but overall, the celebration of Naboo is nothing short of glorious. Everyone is looking at the camera and the corny level is quite high.
AOTC is the only film out of every Star Wars film under Lucas that strays furthest from the theme of hope. I think it’s happy, yes, but in a bittersweet way. You are happy for Anakin and Padmé but the hindsight you have as an audience member, pangs you with bitterness. I do not think hope is lost entirely however. It may not be the first emotion you feel, but you know this union is necessary because “a new hope” is what arises from this wedding. Without this marriage – there would be no Luke and Leia who end up saving the galaxy further on down the line. In some ways, I think the Jedi were headed towards combustion, Anakin was the catalyst, and I believe the wiping out of the Jedi had to happen. It was doomed. So knowing that Luke and Leia are coming out of this ill-fated love match is one of those strange things where hope is present in this scene, though it may not be dominant.
As an ending, ROTS leaves us complete only because we know the entire story already. The sunset gaze by Beru and Lars evokes hope and the weight of responsibility as well. Lucas deftly wraps it up with that Tatooine sunset and closes the film and saga with a sense of satisfaction. We see baby Luke and know that the new hope has arrived.
And where does this leave TFA and Rogue One?
TFA breaks the tradition. It’s such a small thing, the ending of a movie. Yet, if you think about it, you expect a satisfying ending to probably 95% of the movies you watch. There has to be a conclusion of some sort.
Disney leaves me a little jaded with TFA. Their over-confidence (…is their weakness) in knowing that they don’t have to really give us an ending frustrates me. Unlike the other films in the saga that were under Lucas’ direction, TFA does not leave me with hope or happiness. I’m not sure what feelings I take away from it now. It’s neither negative nor positive. I am apathetic for this ending that is not an ending but more like you are putting a bookmark in a book. I know Finn will survive because it’s too early in the Sequel Trilogy to kill him off. Rey is standing there with a strange look on her face and an outstretched arm to an older, grizzled Luke Skywalker who has an even stranger look on his face. Then we have this strange moment where the camera spins around them on the island where Rey is standing there with the arm outstretched trying to hand Luke his lightsaber. Too much movement compared to the other endings!
I didn’t notice the lack of an ending at first. In fact, the first time I watched it, I remember thinking as the shot spun around Luke Skywalker and Rey, “This had better not be the end because we just saw Luke for the first time.” But it was. I was discombobulated but I chucked it up to seeing the new Star Wars film and having a lot to think about.
Yet every time I watch it again, I get more annoyed and I blame Disney and Kathleen Kennedy for most of this. I did not realize how entrenched the Star Wars endings are in my psyche and how much I yearn for them until I compare the Lucas films to the new Disney films.
Rogue One has an ending, but I find it contrived and forced. A CGI Leia says, “Hope,” and it’s a good whack on the head of forcing us into what we should feel. Their effort on the ending of the film should have been less focused on a CGI Leia and more emphasis placed on a beautiful shot with a decent ending that evokes feelings instead of shoves it down our throat. You could argue that the hyperspace jump right after Leia says that is the shot but…it’s action. It’s not a still moment where we appreciate the end of a Star Wars movies.
When I compare the endings, I almost see George Lucas as a more humble director who wraps up each film nicely…just in case. Just in case no one wants to see another Star Wars movie or he never gets to do one again. He gave us a small moment at the end of each film to reflect on what we had just seen. There was no crazy spinning shot, no ships jumping to hyperspace – only his way of saying, “Did you enjoy my movie? I give you time to digest your thoughts and what you saw.”
We have now broken that with TFA and RO and I miss my feeling of hope and happiness at the end of a Star Wars film. I miss the ending being clear cut. I miss the beautiful, panoramic shots that were breathtaking. I miss that still, quiet moment of reflection.
Will we never have that again? Since Disney is planning on creating Star Wars films until I’m old and grey and no longer blogging, is their overconfidence going to extend to the point that we’ll never have that corny Star Wars ending again?
If so, RIP endings to Star Wars films that brought me hope and happiness. You will be missed.
I have a client that is an Executive Leadership Coach. She’s excellent at what she does and I tend to pick up quite a bit about personalities and traits from the program she uses – Insights Discovery. I even got to do my own profile test and it labeled me as a Reforming Director with lots of red energy.
The program is based on the work of Carl Jung and uses four color energies to help describe your personality, help understand your daily life and how to interact with other people.
Here is a brief description of each (information attributed to fullcircletd.co.uk):
This information was on my mind when I began to color in this Han Solo picture. I thought Han was a combination of red, blue, and green. I believe he has yellow too, so I added that in but blended it with other colors since I do not think that it’s his overriding color.
I surrounded Han with blue energy because I thought that could be his dominant color. Blue is known for people who are more cool, calm and collected and they are not easily frazzled as their desire for analysis helps them to see multiple outcomes to one situation, helping them feel more prepared. Han is also notorious for trying to show no bias – even when he clearly has a bias. He likes to act unconcerned. Grey often has blue as its base so that was a deliberate choice as well.
I added some green because even though at first read, you may think that Han does not have green energy, I believe he does at his heart and soul. You just have to dig a little bit to get there. If you go to the webpage above, it lists more in depth explanations, saying that green people tend to be, “…slow or reluctant to modify their personal values despite the apparent logic of an argument or situation. You may tend to avoid decisions that could involve violation of their values or risking the unknown.” It also says they “want others to be able to rely on them. They will defend what they value with quiet determination and persistence.” I thought that showed up more in Han as he evolved in the Original Trilogy, and perhaps in TFA as well.
Finally, I added some shades of red in the flowers because I think Han does have red energy, but even though my gut reaction is to label him as a red – I believe that there is less red in him than I first thought. Though assertive and competitive, I believe Han is not as easily excitable as a dominant red energy person may be. I’m red energy – and Han is definitely unlike me.
I’m pleased with the picture and how it came out. The only fault I can find is with his lips – I definitely chose the wrong color! They don’t look natural; it looks like lipstick. But other than that, I enjoyed the psychology I used behind the picture.
Be sure to check out Mei-Mei’s version when you have the chance!
What do you think of my analysis and use of colors with Han Solo?
I have always found the scene where Luke rushes back home to find Aunt Beru and Uncle Owen murdered by the Empire to be so interesting. My main reason for thinking this is it’s such a SMALL scene but it changes the entire movie. For your info, the scene is about 13 seconds.
Yet this scene is the step from Luke’s “ordinary world” into the “supernatural world” and as such, it plays a pivotal role in his journey.
George Lucas drew a lot from Joseph Campbell’s The Hero with a Thousand Faces when he created Star Wars. You can see that he almost follows it to a T in A New Hope, where Luke is defined as the Hero.
In the above image, you can follow the beginning of Luke’s journey in ANH. You see that this scene, though short in length, is the moment when Luke “crosses the threshold”.
We have been introduced to Luke on Tatooine, his ordinary world. His call to adventure begins with rumblings to his Uncle about leaving the farm (and the deleted scene with Biggs). Lucas then switches up the order and has Luke meet his mentor, Old Ben, first and then Luke refuses the call. It is plainly spelled out as Obi-Wan asks Luke to journey with him to Alderaan and Luke says no, due to responsibilities on the moisture farm.
Luke is a “good kid” and refuses because he doesn’t want to leave his Uncle without his help, though deep down he wants to leave. How can this problem be solved? The responsibility is taken away from him when the stormtroopers burn the farm and murder his Uncle and Aunt. This enables him to cross the threshold and journey to Alderaan to rescue the Princess.
At times, when I watch this scene, I’m baffled by how short it is and the way Luke reacts. For being raised by these folks since he was a few days old, Luke shows more sorrow over Obi-Wan dying later in the film than his guardians. But…
Here’s where we have to separate Star Wars the story versus Star Wars the film. Lucas did not have the luxury to spend a lot of time with Luke mulling over his aunt and uncle’s death and what to do next. This was no Rivendell, where Frodo got to relax, recover, spend time with friends, and make decisions about the future. ANH had to keep moving and this scene was only used as a pivot point. The Mentor is much more important in the hero’s journey, which is why we see Luke more visibly upset over Obi-Wan’s death.
Does it actually make sense in a human relational context? Not really. Does it make more sense in propelling a movie forward? Yes, totally. So Lucas gives us “tragic Luke” where the wind is ruffling his hair and you can see pain, but then quickly moves on because now that Luke has crossed the threshold, the storyline can pick up the pace.
If you are interested in The Hero’s Journey with other Star Wars characters, let me know. Tricia Barr did some analysis articles in Insider where she went into depth about The Hero’s Journey with different characters. I’d be happy to take photos and send your way.
And finnnnalllly, I’M TAKING VACATION NEXT WEEK. And the big deal about this is that I’m not really going anywhere. It’s a staycation and I haven’t done a staycation since…2012 (maternity leave definitely doesn’t count). I’m so looking forward to sleeping in my own bed with no real responsibilities, not worrying about too much, and puttering around.
I’m checking out until after Labor Day, so until then – May the Force be with you.