Star Wars ComLINKS: Most Emotional Scene

Apparently I was supposed to get this done by March 22nd – oops, I completely missed that note the first time I read through the post!  I’ll be better next time.

First, thanks to Graphic Novelty2, I re-discovered the blog Anakin and His Angel.  I remember I had it saved at some point on an old computer and then when I switched to Chrome, I think I lost it.

Anakin and His Angel does a monthly topic and invites other blogs to participate.  I love this…I get to write my own blog post without thinking about a topic!  Lazy me celebrates!  (Except lazy me got in the way of getting it done on time…)

 

Most Emotional Scene in Star Wars

My vote for the most emotional scene has to go to Han getting put into carbonite.

I picked this scene for four reasons:

  1. Han’s vulnerability,
  2. Leia’s realization of love,
  3. Chewie’s anger and sense of helplessness,
  4. Lando’s regret,
  5. The music.

That’s a heck of a lot of emotion to pack into one scene!

Let’s start with Han’s vulnerability – this goes back to my assessment of his clothing choices throughout the trilogy.  When he is stripped down to only that shirt, it’s not the Han we know and love.  He is not cocky or over-confident, but instead vulnerable.  Vulnerable is not a word we often associate with Han.  He’s about to be put into carbonite and he has no idea if he’ll survive.  That look on his face when he looks to Leia and Chewie before the steam rises…what is it?  Sadness?  Unspoken feelings?  Despair?  It’s something we don’t see on Han’s face very often.

Then we have the classic interchange between Han and Leia of, “I love you.” And “I know.”  Who doesn’t enjoy those lines?  We knew Princess Leia was hiding her feelings for Han during most of the movie but in this moment, she knows she has to say it.  If she doesn’t say it, she will kick herself every moment afterwards.  Watching her step forward with anguish on her face to tell Han those deeply personal words…I wouldn’t want to be in her position.  She’s seeing the man she realized she loves being put into a situation where he might not live.  And let’s not forget her moment of abject fear and disgust right before those moments when she looks over at Darth Vader.  *shudders*

This scene is often overshadowed by Leia and Han’s exchange, but I think one of the most emotionally moving parts is Chewie’s scream when the carbonite takes effect.  He starts off the scene by throwing Stormtroopers over the edge of the chamber in a last effort to save Han.  Han calms him down by saying he has to look after “the Princess”.   He acknowledges he might not live through this ordeal but is transferring Chewie’s life debt from Han to Leia.  But this is not something Chewie wants to hear.  Han was his best friend, the smuggler who saved him and to whom he owes a life debt.  I’m sure Chewie thought that if Han ever died, he would go down screaming with him (though we saw how that played out).  Instead he has to stand by helplessly in this whole scene, clinging to Leia until the deed is done and his roars are one of despair, anger, and frustration.

Lando, oh, Lando.  The moments the camera is on him during this scene are few and far between.  And when they do steal a moment to look at him, you have to watch closely.  But you can see it.  It’s there.  The “What have I done?  Was this the right thing?” look.  He looks at Leia and Chewie and his thoughts are clear.  I’m sure he’s feeling that deep uncertainty and regret…that gut feeling when you know you should not have made that deal.  Too late now, buddy.

Finally, the music.  Oh my gosh.  I get goosebumps every time I hear the music by John Williams for this scene.  Even when I’m not watching the scene and I’m only listening to the music, I get transported away to a tense place.  Everything in me stops and I’m filled with emotions of dread and anxiety.  I can’t concentrate on anything I do when hearing that music.  It’s the cherry on top of this whole scene.

 

That, my friends, is why I think the carbonite scene is the most emotional.  Hopefully I’ll get on my game faster next time and participate in ComLINKS before it expires.

 

What do you think is the most emotional scene?  This can include Rebels, TCW, anything in the Star Wars universe!

 

Haiku Me Friday! The shield doors must be closed

Dread fills my inside
But I have no choice; door shuts
Was the right thing done?

When I went to Celebration/SWCA in 2015, there was a very interesting panel done on the music of the Empire Strikes Back.  They took all the music John Williams had written that was left on the cutting room floor per Lucas’ decision and played the original music where Williams intended them to go.  Some of it was silly – there was music with Luka and Yoda’s training that made you think it was a fun jaunt as opposed to serious preparation for facing a Sith Lord.

A lot of the music that was cut out of the final movie involved scenes at Hoth.  I remember vividly this scene: when the shield doors have to be shut for the night and Leia makes the hard, but right, decision to close the doors despite her two best friends being out in the freezing temperatures.  By closing the doors, she was signing a death sentence (and that’s not an easy thing to live with).

The music Williams had composed for this scene was full of trepidation, it was robust and deadly.  The music fit quite well and I think if it was in the movie, I would never have thought twice about it.

Yet George Lucas decided to leave it on the cutting floor.  This immediately turns the scene into an awkward, this-doesn’t-sit-well-with-me, uncomfortable feeling.  When there was music, the scene turned into a subconscious distraction for your feelings.  It’s almost like a glass of wine to handle the pain better.

But when the music is removed your feelings are left bare and you connect with Princess Leia in a raw, emotional way.  You feel what she feels: the indecision, the doubt, the regret, the fear – all happening as the loud shield doors pull to a close.  When they finally shut and you hear Chewie’s despairing howl, you get goosebumps.

Without the music, this scene turns authentic and harsh.  You are in the moment with Leia, Chewie, Artoo and Threepio.  Threepio’s assessment of the situation rings in your ears while they doors shut.

The odds of survival for Han and Luke are 775 to 1…and that is not very reassuring at all.

 

In case you were wondering what the scene sounds like with the original Williams music, I found it on YouTube.  Enjoy.

 

 

But the Female Lead Theme Music…

I have a little bone to pick with John Williams.  I love him, you know I do and I’ve written posts about the PT music vs. OT music.  I think he is THE greatest composer of this day and age.  While I love Lord of the Rings and its soundtrack, I really don’t think it should have been voted by the BBC as the best soundtrack.  Though it has great themes and music, it’s a little repetitive, whereas Williams’ tracks are always original.

My bone to pick with Mr. Williams started small, but it has lately been gnawing at me a little more: the female themes in Star Wars are lacking, or worse, get forgotten.

There are so few female leads in the saga, but because of that I feel like the main three should get some stellar treatment from Williams.

  • Prequel Trilogy – Padmé Amidala Naberrie
  • Original Trilogy – Princess Leia Organa
  • Sequel Trilogy – Rey (as it stands now)

padme-amidala-coruscantWhen looking at the themes for the PT, I have to ask – what about Padmé?  Why does she not have her own theme?  Padmé is just as an important character as Anakin.  In fact, without Padmé, we would not have Darth Vader – the reason for the saga and why we’ve been following the Skywalker family.  I think John Williams could have done an amazing theme for her and I believe some of her theme, if she had one, shows up in Across the Stars.  The theme is tragic, beautiful, and dark all at the same time.

But unfortunately, and this is where my annoyance also gets stronger in the OT, Across the Stars is a blend of Anakin and Padmé, not Padmé by herself.  It pulls in hints of Anakin’s downfall, a doomed love, and Padmé’s beauty with indications of foreshadowing.

Princess Leia does have her own theme in ANH, which is a step up from Padmé and her lack thereof.  It’s a beautiful theme and really pretty – but we rarely hear it.  There is a snippet of it before she is stunned right in the beginning, but other than that, most of ANH is dominated by brass and some of the Force theme.

I look at the Force theme as Luke’s theme because, obviously, it shows up whenever he is present.  It is similar to the Imperial March being construed as Vader’s theme because it starts playing whenever he looms into the camera.  You’d think that Princess Leia’s theme would also show up when she’s on screen and into the next two films as well.

Unfortunately, Leia’s theme dissolves while the Force theme still rears its head whenever Luke is around for ESB and ROTJ.   What bothersluke-leia-han-gif me more is not the fact that her theme is no longer present – but the fact that Leia’s theme gets pulled into other themes.

Within ESB, there is “Han Solo and the Princess” and in ROTJ there is the beautiful “Luke and Leia”.  Don’t get me wrong – I love “Luke and Leia”.  It’s one of my favorite pieces of ROTJ, but that’s not the point of this post.  It’s like Leia can no longer stand on her own and she becomes interlocked with the two men in her life.  I find it a little jarring because that’s not how I view her character (thankfully) but in terms of the music, the fault lies with Williams.

I do believe that musical themes should evolve – but they should not lose their core identity.  Just like we, as people, evolve through our lives, we still have a core of ourselves that is the same.  Luke’s Force theme shows up interwoven in different pieces throughout the OT and I wish I could see the same with Leia’s.

Water under the bridge at this point.

…Or is it?  Can this pattern be changed with Episode VIII and Rey?

I may like Rey’s theme even more than Leia’s.  Of course I’m biased because my daughter’s middle name is Rey, but the spunky, light-hearted, slightly wistful theme has become part of the weekly repertoire of music I listen to.  It touches my core and brings out something inrey-star-wars me where I almost feel like her at times; an understanding for Rey even though I have no idea what her life is like.  Williams’ music has the power to do that.

Williams said that one of his main reasons for coming back to compose music for Episode VIII was because he didn’t want any other composer writing music for Rey.  I love hearing that and it gives me hope that he keeps the essence of her in the upcoming movie within the score.

My main question and fear is: as Rey evolves as a character, will Williams keep her theme at the core?  Or will he forget it entirely?  Worse, will he blend it with other men?

I never thought I’d have an issue with Williams and his music, but here it is.  I’m also curious to see if Jyn Erso has a theme and if so, what it will sound like.  Or perhaps Michael Giacchino will not have any themes since it’s a standalone film and he’ll break the cycle.

Has anyone else noticed what I wrote about? 

 

In Which I Defend General Hux and Speculate on Supreme Leader Snoke

General Hux

I think I’m in the minority out there…but I really like General Hux.  I’ve been reading many reviews that label him as a superfluous character in The Force Awakens but I would like to argue that people who are writing about that are missing the point of who he is.

General Hux is a bad guy, sure.  He’s not the main antagonist like Kylo Ren and, possibly in the future, SL Snoke, but he falls more in the realm of a secondary antagonist.  Maybe J.J. was trying to create him to be the new Grand Moff Tarkin but he fell short.  Not in a bad way necessarily, but just because General Hux is different from Tarkin.

General HuxHux represents a new generation of the Empire.  He is the ideal First Order candidate.  Similar to Finn, he was raised with Imperial propaganda as his breakfast, lunch and dinner.  General Hux sincerely believed that the Empire saved the Republic from the Clone Wars and the current New Republic is weak.  He grew up as a beast frothing at his mouth, trapped by the New Republic.  He’s what I would label a First Order Fanatic (FOF…nice ring, right?).

This is where he is different from Grand Moff Tarkin.  Tarkin worked strategically to get the Empire where it was.  Hux believed it was his God given right to rule the galaxy as one of the best Generals in charge of the biggest, baddest base.   Tarkin was someone who firmly believed the Empire should rule the galaxy.  Hux believes the First Order is there to wipe out anyone who doesn’t agree with them and he should be leading it.

He’s a maniac. I love it.

All his thoughts and actions are surrounding the First Order in a way that reminds you of a deranged serial killer.  He’s obsessed with bringing the First Order to the height that the Empire once was.  He steals kids from birth to brainwash them into being perfect stormtroopers for the First Order!  Wow.

Everything he says and does is purely for the First Order. Starkiller base and it’s troops are his tools that he works into perfection.  Even Kylo Ren does not live up to his expectations, possibly because he knows that he has not completed his training or maybe it’s because of his heritage that involves people who so vehemently opposed the Empire, and now, the First Order.  Though Hux makes mistakes, you can see that he genuinely believes he still has the best army in the galaxy, unlike Kylo Ren who shows a moment of weakness when Hux accuses him of purposefully letting BB-8 escape in favor of taking the girl instead.  General Hux hates weakness and hates mistakes, especially large blunders like the one Kylo Ren made.

All this leads me to talk about why I loved his speech.  There were a lot of complaints out there about how it was badly written, but I didn’t even pay attention to what was said.  I was enraptured with Hux’s face because in that moment, he is in his glory.  Everything he has worked so hard for over 30 years is coming to a the epic climax.  His eyes fill with tears and you can see he means every single word of what he is saying to the core of his being.  This is his moment to show the galaxy that General Hux and the First Order are not ones to be trifled with.

He’s crazy.  I love it.

 

Supreme Leader Snoke

There are rumors going around that Snoke is Darth Plagueis.  He looks like someone once dead and most importantly, people are arguing that Snoke’s theme is eerily similar to the music played during ROTS when Palpatine and Anakin discuss Plagueis at the opera.

I sincerely hope that Snoke is not Plagueis.

Why?

Oh, I’m so glad you asked!

Because the more I’ve written in this blog about Palpatine, the more I love his character.  Lucas did an excellent job intertwining Palpatine’s story between both trilogies to see that he was an absolute genius and mastermind in creating the Empire bringing the Sith back into power.  He was, in supreme leader snokeshort, a genius the galaxy had never seen.

Palpatine, as we know, also learned everything he could from his master Darth Plagueis, and then killed him.  He stole everything he learned.

Do you really think that Palpatine would let there be a chance that Plagueis could return?  By doing so, it shows a weakness in Palpatine’s planning and takes away from how amazing and intelligent 60+ years of his life was.

The music being similar is a good argument, but LFL and Disney has a bunch of tricks up their sleeve.  Remember that the previews led us to believe that Finn was the Force user, as opposed to Rey.

Or perhaps Williams is getting up there in years and forgot he already did a very similar piece.

I just don’t like the idea of Snoke being Plagueis because it takes away from Palpatine’s greatness.  I much prefer Snoke being Palpatine resurrected but, for some reason, I just don’t think that’s the case.  I could be wrong, but I think that would be yawn-worthy and hope they don’t do it.  I like Palpatine’s story just the way it is and I don’t think he should be brought back.

It would also be somewhat out-of-character for Disney to bring in a character that was only mentioned in the PT when they are focusing so much on pulling similarities from the OT.  I will argue that the opera scene is one of the most interesting and best acted scenes in the PT and I don’t think anyone could argue with that so perhaps if they take anything from the PT, they go with the Plagueis storyline since it is canon.

If you’re interested in reading all the theories out there on who Snoke is, combined into one place, click here.

But please don’t.  Leave Plagueis to history and leave Palpatine with his body in fragments across the galaxy after the second Death Star was destroyed.

 

Begun, A New Era Has: My review on The Force Awakens

I predicted I would love the movie yesterday and not be able to say anything but great things about it. While I did love and like it a lot, it took a while for me to get into it.  Longer than I thought and I did find some parts that did not sit well with me.

The Force Awakens reminded me of a new pair of shoes.  It was a little uncomfortable at first, something different that I needed to get used to.  But once I had worn it for a significant amount of time, the shoes melded to my feet and I love them.  It tooke a while for me to accept that this movie was the beginning of a new era in Star Wars: new characters, ships, and storylines to get used to.

I felt like the first 2/3 of the movies was story building – a lot of it.  To the point that sometimes I felt that it was a little slow and it was uncomfortable.  Though we were in the universe of Star Wars, it was different.  The galaxy had aged 30 years, the Empire is resurrected in a new form as the First Order, and we aren’t sure what has happened to the Rebellion.  The war that we thought was over is far from over and the Resistance, surprisingly I thought, is still a small faction (albeit more organized) trying to overthrow a large government.

General Notes – Spoiler Territory Ahead

The strengths of this movie pulled from the Original Trilogy with its humorous quips  and little touches that devout Star Wars fans would notice (there were definitely some EU shout outs as well).  The humor mostly came when Han was on screen, so I’d like to see how they are going bb-8to keep the humor going now that he’s dead.  I’m guessing Poe since he had that bad boy funny streak.  The format was like A New Hope in that we followed BB-8 on this journey, similar to how we followed R2-D2 and C-3PO previously.  I loved BB-8 and I understand why everyone fell in love with Artoo when Star Wars first came out.  I want my own BB-8 droid.

The Falcon appeared early in the movie and was the main mode of transportation, but man oh man, does it get beat up.  I cringed every time it hit the sand, but it kind of brought a realness to the situation that I appreciated.

I did not notice the soundtrack as much as I thought I would.  I feel like all the other Star Wars movies had distinct themes that you could go return to and love.  Duel of the Fates, Imperial March, Luke and Leia, Battle of the Heroes, etc.  I didn’t notice anything in The Force Awakens that had me rooting for a new tune.

Once everything was established, and we knew and understood the new characters Finn and Rey, the story began to take off.  The last 1/3 of the movie was Star Wars fun, with a big space complex to destroy (round per usual, but this time in the form of a Death Star converted to a large planet), a lightsaber fight, and some loss of beloved heroes.

In typical Star Wars fashion, there were some plot points that were nicely glossed over that left me scratching my head.  Such as:

  • Where did they get Luke/Anakin’s lightsaber?  Maz Kanata smoothed that over and basically said it was “a story for another time.”
  • Why was the lightsaber “crying” and Rey heard it?  Is this part of the maz kanata lightsaberForce?  Why did it give her all those images?
  • I would have liked to know more about the Republic that was destroyed by Starkiller Base.  It sounds like it was established at the end of ROTJ, but was it an actual governing force in the galaxy?  Is the First Order still the reigning government, or was it similar to a civil war or the Prequel Trilogy with the Separatists and the Republic?  But this time the Republic is the smaller group and the First Order is the larger?
  • R2-D2 basically shutting down didn’t make sense.  It was a neatly thrown in plot point and then he conveniently “woke up” at the end to help the Resistance find Luke…huh?

Characters

I loved Rey.  Rey was my favorite character, no question about it.  They didn’t try to make her a forced “strong female protagonist” as most of Hollywood seems to be trying to do right now.  They made her relatable, a real human being where you understood her actions and the consequences.  She could be male or female, which is what I loved.  There was no push on the romance and even now, I can’t figure out if her and Finn are going to become an “item” or if they are just friends who’ve been through a lot.  I want to know more about her history.  I’m guessing her parents were taken from her?  But who was dragging her away?  Is she somehow related to the Skywalkers?

Mr. Reticent noted that he thought her being captured by Kylo Ren was a Rey Kylo Ren gif“damsel in distress” situation, but I highly disagree.  It made sense with her character.  It allowed her to battle Kylo in the Force, come out victorious, and feel the Force awaken within her.  If they captured Han, it would be a little pointless.  If they captured Finn, there would be so much hullabaloo with him being a previous stormtrooper that there would be too much First Order protocol involved.

I thought Han was still Han, though I did feel like the movie was staged for his death a little too much (who called that?).  I liked his quips, his camaraderie with Chewie was still the same, and I thought it made sense that he was separated from Leia due to their son going to the dark side.  We couldn’t have Han and Leia madly in love because his death would be that much harder.  Abrams and the writers wanted to separate the audience from Han, to not make it *that* hard on us when he died.  Though I didn’t cry when he died, totally expecting it, I did get teary eyed when Rey came off the Falcon and had that moment with Leia.

Though the driving force of the movie was Luke Skywalker, it was frustrating how little they spent on where he had been in the past 30 years.  I know he disappeared due to the failure of his training and starting a New Jedi Order, but it was rushed.  It seems a little out of character for the Luke we know…wouldn’t he have at least stayed in touch with his sister and Han?  I hope we find out much, much more of his backstory in the upcoming films.  When I saw the last shot, I honestly thought, “Oh darn, the movie was just starting to get good.”

Finally, Kylo Ren.  Or, Ben Solo (interesting EU nod).  I went back and forth throughout the movie on whether or not I liked him.  On the one hand, he was not nearly as imposing or intimidating as I’d expect Kylo vs. Finnsomeone on the dark side of the Force to be.  On the other hand, I loved the character struggles he seemed to go through.  It added more layers to a dark side character that we’ve only really seen in Return of the Jedi.  Knowing Kylo was once good and even admits that he’s struggling when it came to his father was an interesting twist for Star Wars.  Vader never admitted he struggled with the light side.  I’m confused as to why he wore the mask, other than to emulate Darth Vader and his obsession with him.  Funnily, and I’m not sure if Abrams meant this, but the tantrums Kylo Ren threw were so much like Anakin that I wanted to pat him on the back and tell him he’s more like Anakin than he knows. I loved Adam Driver’s acting when it came to that moment when he killed his father.  I felt there was a real struggle within him, but when he made his decision, you could see this slight change in his face and oh, it was so perfect.  By the end of the movie, I wish we had more of Kylo and I’m interested to see where he will go in his training with Snoke.

Supreme Leader Snoke.  Where do I begin?  This was my one major gripe with the movie.  I thought he was a horrible addition.  It looks like he jumped straight out of a Tolkien novel/movie, with some zombie thrown in.  I can’t figure out if it was because he was so large or because of his species (whatever he is), but I thought he wasn’t believable.  Every time he came on the screen, the movie felt disjointed and took a step back, instead of forward.  I am curious as to whether it’s because he was so large, which made me think he just looked stupid.  When we see him in future movies, I hope that he is a normal height and not a hologram.  I wanted to see more of Kylo Ren and less of Snoke throughout the movie.

General Hux was like he came straight out of an EU novel: a typical Imperial General.  What I liked most about him was that he seemed to be an equal to Kylo and had no problems calling him out, another difference from the Empire in the Original Trilogy, where everyone was terrified of Vader (shhh…don’t tell Kylo that).  Captain Phasma didn’t have as large of a role as I was hoping, but I appreciate the shout out to female stormtroopers and the fact, again, that Phasma could have been male or female.  Maz Kanata was a nice replacement for Yoda/wise mage, but I’d like to see more of her.  I hope she continues to pop up throughout the new sequels, but is a true guiding force.  General Leia was not given as much screen time as I would have hoped.  She was the same, yet different, but they didn’t explore it much.  She had more of a cameo role than an actual part.  Poe Dameron was interesting and I hope we see more of him in the future.  I think he will be a really strong character, but more please.  More of Poe in the next movie.

star-wars-7-force-awakens-kylo-ren-captain-phasma-general-hux

I believe it took a while for the movie to establish itself, but once the foundation was built, it took my breath away.  Abrams did a great job clearly defining that the baton was being passed onto a new generation, which was one of my highest hopes.  I did not want a movie that only focused on Han, Leia, and Luke again – and this did not disappoint.

The only parts where it fell short for me was the lack of the mystical in the Force and Snoke.  I felt that the Force has always been such an important factor for Star Wars and guides all the movies, so to say, but it wasn’t strong within this movie.  I think we’ll see more of it coming up in the sequels and I certainly hope so.

Overall, I give The Force Awakens a solid B+/A-.  I’m seeing it again tonight so will hopefully have a better understanding and opinion of it once done.

 

Okay, phew, done.  LET’S DISCUSS.