Haiku Me Friday! The shield doors must be closed

Dread fills my inside
But I have no choice; door shuts
Was the right thing done?

When I went to Celebration/SWCA in 2015, there was a very interesting panel done on the music of the Empire Strikes Back.  They took all the music John Williams had written that was left on the cutting room floor per Lucas’ decision and played the original music where Williams intended them to go.  Some of it was silly – there was music with Luka and Yoda’s training that made you think it was a fun jaunt as opposed to serious preparation for facing a Sith Lord.

A lot of the music that was cut out of the final movie involved scenes at Hoth.  I remember vividly this scene: when the shield doors have to be shut for the night and Leia makes the hard, but right, decision to close the doors despite her two best friends being out in the freezing temperatures.  By closing the doors, she was signing a death sentence (and that’s not an easy thing to live with).

The music Williams had composed for this scene was full of trepidation, it was robust and deadly.  The music fit quite well and I think if it was in the movie, I would never have thought twice about it.

Yet George Lucas decided to leave it on the cutting floor.  This immediately turns the scene into an awkward, this-doesn’t-sit-well-with-me, uncomfortable feeling.  When there was music, the scene turned into a subconscious distraction for your feelings.  It’s almost like a glass of wine to handle the pain better.

But when the music is removed your feelings are left bare and you connect with Princess Leia in a raw, emotional way.  You feel what she feels: the indecision, the doubt, the regret, the fear – all happening as the loud shield doors pull to a close.  When they finally shut and you hear Chewie’s despairing howl, you get goosebumps.

Without the music, this scene turns authentic and harsh.  You are in the moment with Leia, Chewie, Artoo and Threepio.  Threepio’s assessment of the situation rings in your ears while they doors shut.

The odds of survival for Han and Luke are 775 to 1…and that is not very reassuring at all.

 

In case you were wondering what the scene sounds like with the original Williams music, I found it on YouTube.  Enjoy.

 

 

Haiku Me Friday! Hanging upside down

I’m disoriented
The blood rushes to my head
But I feel the Force

This scene in ESB is often overlooked.  It’s a scene that seems like it could have been left on the cutting floor EXCEPT for the fact that we see Luke use the Force in a way we’ve never seen before.  As someone who has grown up with the OT, I’ve gotten used to this scene but I believe it shouldn’t be overlooked.

Before now, we have not really seen what the Force can do.  We’ve seen Obi-Wan mind trick some Stormtroopers, fight Darth Vader with a lightsaber, and speak inside Luke’s head.  Luke blows up the Death Star but it’s still a little hazy on whether or not that was the Force.  As an audience member, we are to believe that he blew up the Death Star with two perfectly timed proton torpedoes using some supernatural element but still…ehh…maybe it was luck?

Then we see Luke pull his lightsaber to him like a magnet.  This is a huge jump from what happened in ANH, even more so because Luke is actually physically doing it and there can be no doubt.  Also, he does this while hanging upside down for goodness knows how long.

After this scene where it is determined that yes, Luke does have the Force, and yes, he’s getting stronger in using the Force – we see him speak to Ben on Hoth through a Force vision and then he heads to Dagobah where he trains in using the Force with Yoda.

This scene serves as a moving piece on the Saga game board.  Though small, it helps cement the audience’s belief in the Force.

 

Happy St. Patricks’ Day everyone!  Hope you find your pot o’ gold.  🙂

I leave you with this picture of my husband and I at the Guinness Brewery in October:

 

Haiku Me Friday! Padmé’s Death

I cannot wake up
The despair overwhelms me
My husband, my babe

Yes, it’s confirmed – I’m on a Prequel kick.  And thank you Mei-Mei for suggesting that for 2017, I do my haiku’s in first person form.  This has provided a new, fresh, and interesting challenge for me.

I’ve never given much thought to Padmé during that time period where she is strangled by Anakin, falls unconscious, and then gives birth.  She seems like she is struggling between two worlds during this time…as her body gives out and succumbs to death, her brain is struggling to come back to the world.  It seemed like a battle to me; she is restless, yet wants to stay in oblivion.

I used this haiku to perhaps show the few things that might be going through her limited brain power.  She can’t wake up, even if she tries, but all she probably feels is a crushing sense of despair, with instinct hanging on to her husband and baby.

Because of her sense of despair, she slowly begins to lose the will to wake up permanently.  It’s always been hard for me to accept that Padmé gave up on life…there have been great articles written that have since swayed my opinion somewhat so I tried to relate to her more with this haiku.

Imagine having stress and an inkling of something not right for months, gnawing at you and eating away at your inside.  She probably knew that something was changing within Anakin, even if she didn’t want to acknowledge it.  In the deleted scenes within ROTS, we see that she was forming the beginning of the Rebellion without telling Anakin.  Secrets and dishonesty have formed between them.

On top of that, she has kept her pregnancy secret for the most part with shapeless dresses.  This constant hiding wears someone down.

Then it all blows up in her face.  Her fears are confirmed: Anakin has changed, but her fears could not have prepared her for what actually happened.  Anakin didn’t have political leanings that were so drastically different from her own – Anakin had turned to the dark side and had annihilated multiple Jedi, including ones younger than 10 years old.  He had committed murder and did not seem to regret it.  When she tries to rescue him and run away, he chokes her and causes her to lose consciousness…but keeps her alive.  Barely.

I wouldn’t want to wake up and face reality either.

I believe that the twins were born prematurely.  Maybe not months prematurely, but a few weeks before they were supposed to be born.  The choking and distress caused Padmé’s body to shut down, but instinct forced her body to bear the children.  Once that act was complete, Padmé had enough consciousness to tell Obi-Wan the names of her children (canon dictates she did not know she was bearing twins.  Slightly unbelievable, I know) and to let him know that there was still some good in Anakin.

And then she did not want to face the world where she had born children to a monster.  Despite that she knew in her heart that he still had good in him, she also knew she was not the one who would bring it forth.  So instead, she succumbed to letting go of her life to let someone else fight that battle.

It’s still hard for me to accept, especially as a mother, but when I think through it very hard, a part of me gets it.  Just a small part, but I’m slightly more sympathetic.

 

Does anyone else have alternative theories on why Padmé gave up?

Haiku Me Friday! Fields of beauty

She smiles at me The green, the warmth, and her face… Stop me where I am

She smiles at me
The green, the warmth, and her face…
Stop me where I am

Guys, I don’t know what’s wrong with me but I think I’m on some kind of weird AOTC + first person haiku kick.

Whatever problems I have with Attack of the Clones, I think that Naboo retreat scenes are beautiful.  The acting in the picnic scene was terrible but it had a lot of great insight into how radically different Anakin and Padmé’s views on politics were.  Anakin already favored the dictatorial stance and Padmé rooted for democracy and hearing out the people.  But they were too in love to see it.  Or perhaps, Padmé shied away from seeing what she probably knew deep down as Anakin laughed it off.  Anakin was in the flirtatious mode of trying to impress Padmé, so when he realized she strongly disagreed with his feelings, he tried to act like it was a joke.  He was smitten and who can blame him?  I would also be smitten with those surroundings.

What I also love about these scenes is not just the extra insight it gives into their opposing political viewpoints, but that George Lucas was, inanakin-padme-naboo-fireplace a way, giving us an old fashioned courting period between Anakin and Padmé.  You could argue that the whole movie was a courtship, but I believe these scenes were a chance for the characters to slow down and have fun.  The script writing and acting (mostly on Christensen’s part) was pretty bad so it wasn’t entirely believable, but if we take a step back and look at it as a whole – I appreciate the effort that Lucas put into these scenes.  It’s easy to brush them aside because on the surface it does not look like it moves the plot forward too much.  But the movement of the plot here is more subtle…it’s a wrestling between what they want and what they’ve been told cannot be.  The quote on the way to Naboo is setting the scene for tumultuous emotions between the two characters that happens as soon as they land:

Attachment is forbidden. Possession is forbidden. Compassion, which I would define as unconditional love, is essential to a Jedi’s life. So you might say, that we are encouraged to love.

We have these stunning beautiful scenes that are juxtaposed against their inner turmoil that culminates in the fireplace scene at night, where defenses are most low.  There you see their true feelings come to light, when Padmé’s clothing reflects her feelings.

So while I may not like AOTC that much, there is so much to be taken from these Naboo scenes.  More than I sometimes like to give Lucas credit for.

Haiku Me Friday! Opening crawl

New name: TLJ Mere seconds from TFA Will there be a crawl?

New name: TLJ
Mere seconds from TFA
Will there be a crawl?

Since we know that The Last Jedi takes place right after The Force Awakens, do you think there will be an opening crawl?  Or will that be cut out?