Friday Fives: Characters That Deserved More Screen Time

The Star Wars universe is amazing, we can all agree upon that.  There are so many characters, planets, ships, that our imagination can be taken beyond hyperspace and we know we could live in that world if we wanted to (oh, hell, I would love to live in the Star Wars universe).  But the stories we’ve seen in the saga thus far only focus on one family and the people that touch their lives.  Which is great and all, but unfortunately, we don’t get to see the background stories of other characters.  Here are 5 characters that I think deserve more screen time and wouldn’t mind if they were honored with a standalone movie.

Five Characters That Deserved More Screen Time

  1. Sabé. This woman was Padmé’s loyal bodyguard and decoy.  Sounds fun, right?  Uhhh, sounds dangerous.  How did she get to this position at such a young age?  What was the training like in order to learn all the young Queen’s Sabemannerisms, voice inflection, how to be a bodyguard, and learn all these secret ways of asking Queen Amidala for advice when you don’t know the answer?  Sabé showed great strength during the Battle of Naboo and was thrust into a position where she probably was always trained for, but didn’t expect to use in such a dire situation.  Was she even able to fool Obi-Wan and Qui-Gon?  She later fought in the Battle of Naboo and threw out the great line of “Viceroy! Your occupation here has ended!” Playing a pivotal role in distracting him so that Padmé could get the guns and corner Nute.  I would love to know more about Sabé, her past, and what the future held for her.
  2. Bib Fortuna. I haven’t talked about him much, and he’s clearly doesn’t have the strongest bib fortunamind, but I think he was actually a pretty savvy guy.  He was with Jabba for at least 30ish years (we saw him in TPM) so it shows that he knew the right things to say at the right time. Plus, he looked ugly meshed with evil.  The red eyes with greasy skin and lekku just made him this character I wanted to stay far away from.  According to the Legends, he actually really hated Jabba and tried several times to kill him unsuccessfully.  Poor guy.  To fail so, so, so many times.  But you know what?  Sounds like Jabba never knew or he wouldn’t have kept him on so it further proves my point that I think Bib was sly, cunning, and smarter than most.
  3. Syfo-Dyas. AOTC is not my favorite movie, but I was extremely interested in the clone army and how it was kept under wraps for so long.  The back story was explained to us slightly in The Clone Wars, sosifo dyas it fleshed out this mystery on who Syfo-Dyas was and how he kept the clone army hidden from others.  But I’d like to see a more robust version of this story and learn more about his Jedi past and the experiences that shaped him to make the decisions he did.  Why did the top Jedi not listen to him about the “growing darkness”?  Was this the beginning of someone being dissatisfied with the Jedi Council, even before Ahsoka?  Was there more unrest within the Jedi than we knew about and how did those seeds plant throughout the Order?  Knowing the ending of the movie (Spoiler alert!  He dies), could actually heighten the plot.
  4. Shmi Skywalker. Hear me out on this one.  We know a lot about Shmi already, but mostly just how she relates to Anakin’s story.  I’d like to see a more female centric Star Wars story that shmi skywalkerdeals with more everyday issues of life, with a sprinkling of Star Wars.  This could be a very interesting look at slavery in the Star War universe, something that is clearly abhorred by those closer to the center as implied by Padmé’s shock, but still very prevalent in the outer worlds.  Shmi was in slavery most of her life.  And imagine her shock when she became pregnant for no apparent reason?  This could be a very interesting movie/story, and if someone did it right, they could really do a good job with making it very separate from any Christ-like similarities.  Shimi doesn’t need to be visited by any angel or vision, she could just all of a sudden become pregnant.  Imagine the fear and confusion that lives with her for 9 months.  And when she gives birth, she devotes herself to her son and sees it as something happy, but he is taken from her at such a young age.  From there, she goes on to lead a happier life with Cliegg Lars.  This could be a very real life, tough and gritty, female-life story that I’d love to see on the big screen, even though I doubt it’ll ever happen.
  5. Nien Nunb. I have this this weird fascination with this character because I feel like they kind of dumped him in the nien nunbstory and then threw him away.  I mean, he got to be first mate to Lando during the final battle in ROTJ.  You have to be pretty good for that, especially as he doesn’t seem to speak a lick of Basic, but understands it.  According to Legends, he was once a smuggler and befriended Lando during one of his flights.  So much potential here!  Smugglers are always interesting so it would be great to see his adventures and the movie would be in all subtitles!  It would be a foreign action film, but Star Wars style.

All characters in a movie are there to serve a purpose, whether it be a decoy for a queen or the mother of the most important character.  But sometimes I think that they should get a little more time to show their side of the story and how they got where we saw them.

Who would you pick?  Do you have anyone from the movies you’d like to see more of?

Scene it on Friday – AOTC Scene #102

Scene it on Friday – AOTC Scene #102

Short scene, but interesting.  This whole scene is devoted to Shmi, though she is not there physically.  In a way, Anakin is meeting his extended-but-kind-of-immediate family.  I say “family” in the sense of the Brady Bunch structure, not really of any emotional sense.  Clearly, Anakin cannot get attached to these people, nor does he seem to really want to get to know them.  He’s here to find out where his mother is, and that’s that.  The Jedi are his family now, and soon Padmé will be his wife.

In this scene, we also learn more about the Sand People/Tusken Raiders.  We knew a bit about them from Episode IV, but we really see that they are “vicious, mindless monsters” with no real reason to kidnap and torture Shmi.  This seems to be a pattern of the Sand People; they kidnap people for the sake of kidnapping them.  Looking at ANH, we see that they almost took off with Luke if Obi-Wan hadn’t come at just the right moment.  I decided to look into Wookiepedia to see what the EU had to say about this.

“In many tribes, adolescent Sand People were tasked with a ritual known as ‘bloodrite’, in which a youth proved their hunting skills by capturing a creature and fatally torturing it with techniques extending the pain for weeks before death. Most opted for creatures like dewback or desert hulak wraid, but the greatest prestige was reserved for a hunter who performed the rite upon a sentient being.”

Other than that, it seems like the Tuskens often raided Tatooine settlements to try to drive them from their land and so kidnapped people in the process.  Hmmm, that part sounds a little reminiscent of American history.

I am a little confused, however, on one line.  When Cliegg says, “Thirty of us went out after her. Four of us came back. I’d be with them, only… after I lost my leg I just couldn’t ride any more… until I heal.”  Does he mean he would still be with the people who didn’t come back ie the people who died trying to get her back?  Did his leg somehow enable him to be saved?  WOOKIEPEDIA SEARCH!  Ok, yes his leg is a result of a trap laid out by the Tusken Raiders that got caught during the raid.  So what does he mean by “I’d be with them”?  I’m still confused by that line.  Can anyone help?

Lastly, what frustrates me most about this scene is that the dialogue starts off decent but then it quickly goes downhill.  I find that to be a reoccurring problem with Attack of the Clones: I just can’t stand the dialogue.  People say that acting is horrible but I always want to argue that not even someone like Judi Dench could pull off these lines with credible acting.  The second half of the scene after Anakin stands up sounds like a six year old wrote it.

I think that Cliegg’s lines are fine, even appropriate, but there’s no transition for Anakin to abruptly stand up and his lines are corny with Padmé shouting lamely, “No Annie!”  It doesn’t help that the shift between Cliegg’s lines and Anakin’s actions are not done very well by Hayden Christensen.  It’s very dramatic and I don’t like that there is no inner torment inside of him wondering if he is doing the right thing by looking for his mother.  You could argue that the inner torment was played out earlier in the movie with his debate on whether his dreams were real and if he should even go to Tatooine, but knowing what he does about Sand People…shouldn’t there be a little bit of hesitation?  Sure, he’s a powerful Jedi and his anger, in a way, makes him more powerful.  But I know Obi-Wan would have had a few thoughts before singlehandedly trying to take on a whole camp of Tusken Raiders.  And since he’s heard that 30 people went out, and four came back, I’m not so sure I’d be jumping into the fray.

Interesting scene, like I said earlier, and it led me to a lot of EU information.  In the end, it only brought up old anger I’ve had over the bad writing and weird transitions.


Awkward dinner where Anakin acknowledges no one

Awkward dinner where Anakin acknowledges no one


 CLIEGG, OWEN, PADMÉ and ANAKIN sit around the table, BERU brings the drinks in from the kitchen.

 CLIEGG: Your mother had gone out early, like she always did, to pick mushrooms that grow on the vaporators. From the tracks, she was about halfway home when they took her.  Those Tuskens walk like men, but they’re vicious, mindless monsters. Thirty of us went out after her. Four of us came back. I’d be with them, only… after I lost my leg I just couldn’t ride any more… until I heal.

 CLIEGG grimaces, easing his throbbing leg.

 CLIEGG: This isn’t the way I wanted to meet you, son. This isn’t how your mother and I planned it. I don’t want to give up on her, but she’s been gone a month. There’s little hope she’s lasted this long.

 Silence. Then ANAKIN stands up.

 OWEN: Where are you going?

 ANAKIN: To find my mother.

 PADMÉ: No, Annie!

 CLIEGG: Your mother’s dead, son. Accept it.

 ANAKIN: I can feel her pain, and I will find her.

 OWEN: Take my speeder bike.

 ANAKIN: I know she’s alive.

 ANAKIN turns abruptly.