Jyn Erso: So Much Potential, But…

I watched Rogue One again two weekends ago.  I really wish I could say that I came away from it better satisfied than the first viewing, and while there were parts that did not irk me as much (such as Darth Vader on Mustafar), I found that I still had major issues with Jyn.

The problems I have are not so much with her, but more with Disney and how they decided to create her character.  I read an article a few years ago when the Hunger Games first came out – critics, especially female critics, were using the Hunger Games as an example of how movies with female leads can crush the box office, despite the fact that Hollywood bigwigs thought that men in leading roles would do better (i.e. make more money).  Hunger Games really broke the mold when it came to the leading female in an action movie and I think we have seen a good amount of movies since then that also prove that.

But this line in one of the articles has stuck with me ever since.  The author said something along the lines of,

Do not write strong female characters.  Instead write characters for women. The strong aspect will fall into place if it’s necessary.

I wish I could remember the article and link back to it, but alas, that was five years ago.

The author was saying that if you focus too much on creating a physically strong character, that character will lack the depth that makes people attracted to movies to begin with.  When we look at Katniss, whom her article was based off of, we see a young woman whose strength comes out of necessity to keep her family safe.  She taught herself how to hunt with a bow and arrow so that she could sell her food on the black market and feed her family.  Her love for her sister is what pushes her to join the Hunger Games.  Her feelings for Peeta is what forces her to turn the games on its head at the last minute and best President Snow.  By creating these driving forces within her, a strong character was created.

This is my first problem with Jyn.  We don’t see any character to her.  And you guys can all preach to me as much as you want that there are more in the books, but if a movie is to be good, you shouldn’t need to read a book.

We know Jyn saw her mother die and her father taken hostage.  We eventually learn that she was raised by Saw.  But because she has no character depth, I don’t understand her motivations.  When she figures out that Cassian had orders to kill her father, she is upset.  She rages at Cassian.  This all makes sense…though Jyn lacks character, anyone can relate to losing a parent; especially in her situation where the loss was not ideal (is it ever an ideal situation?).  Yet within a few minutes, she has joined the Rebellion and trying to convince them to find the Death Star plans on Scarif. 

What?  You want to join the team that blatantly lied to your face about killing your father?  They said he would be unharmed but then Cassian was going to kill him?  You know Cassian didn’t think of that on his own, he pretty much implied he was under orders.  So let’s hold hands with the Rebellion and let bygones be bygones, right?  Phssshhhhh.

Those are my first problems in a nutshell.  I can’t understand Jyn’s motivations and she doesn’t seem to have much of a personality.  And of course I could read the book!  I know!  But if you think that, you’re missing the point.

Now we are onto the second, larger problem I have with Jyn and Disney’s writing of her/the movie.

Disney goes out to make this strong leading heroine (yay!)…but this strong, supposedly capable woman always gets rescued.

Okay read that again.

She. Always. Gets. Rescued.

I’m not sure why I missed this the first time I saw it in theaters.  But watching it again, I can count on my hand three major times that she gets rescued.

The first time is when she meets up with her old foster father, Saw.  He shows her the hologram of her father, Galen Erso, and she is spellbound.  She hasn’t seen her father in years and he’s all of a sudden there calling her by her nickname “Stardust” and telling her about plans to destroy the Death Star.  Meanwhile, the Empire decided to use that exact moment to blow up NiJedha/Holy City. She falls to her knees in shock as the cave begins to crumble…and who comes running around the corner?  Cassian.  Because Cassian got himself out of a cell on his own and ran to get her.  If not for Cassian, Jyn would have been dust and pieces just like Saw Gerrera.  I don’t remember Jyn getting herself out of a cell or handcuffs.  NiJedha/Holy City is exploding, the ceilings are caving in, and Jyn sits there looking at a blank hologram until Cassian forces her to move.

The second time, again, has to do with her father, Galen.  Galen is blown up/shot on Eadu where Jyn had been watching everything, hidden.  She runs to his side, to possibly save him if she can, while trying to hear his last words.  Meanwhile, Rebellion X-wings and TIE fighters are having a full on battle and she’s sitting on the most obvious place (a platform that awkwardly juts out) any X-wing would want to shoot down.

Oh and while she’s sitting there crying over her father, who comes to extract her from this dangerous situation?  I remember – Cassian!  That guy who always seems to be most helpful in these situations where Jyn has high odds of dying.

And then finally, the third time, which is sadly the most unforgiveable.  Jyn and Krennic are face-to-face on the top of the tower at Scarif.  He has a gun.  It’s pointed at her.  How in the world will she get out of this situation?  Hmmm…why not use her brains and figure a way out?  Or not.  Remember that guy Cassian I keep talking about?  He somehow regained consciousness from when he fell, climbed all the way up a tower, just in time to shoot Director Krennic so that Jyn can upload the plans.

If Jyn had managed to get herself out of other situations before, this last rescue would not be so challenging in my eyes.  But she didn’t and never will.

Here’s where I pick my other gripe with Disney.  This would not be as big of a problem if they did not surround Jyn with an all-male cast.  If Jyn was consistently rescued by another women, not only would it show amazing teamwork within females (I think Hollywood likes to pit us females against each other in a petty fashion a bit too much), it would show us that girls can get out of situations on their own.  I’m not saying the entire surrounding cast has to be women, but it would have been helpful to have Cassian be played by a woman.  His character is easily interchangeable with a female lead.

In my point of view, this is why Rey succeeded so well in The Force Awakens and why Jyn’s character was such a failure in Rogue One.  They made Rey a young woman that could fight, cry, laugh, and empathize with others.  They made a character who turned about to be strong.  With Jyn, we get almost the same character throughout the movie and who does not seem to be able to get herself out of tense situations.  She constantly needs to be rescued which does not look good for a female lead, especially one they are hyping up to be battle hardened and tough.  This time, Disney made a strong female without any character.

 

Do you agree or disagree with my rant?  Am I too narrow minded and missing something important that would change my entire argument?

The Last Jedi Teaser Trailer and Speculations

We FINALLY got our first trailer for Episode VIII today and I have to say, I’m a little disappointed.  With only around 8 months left to go until the movie is released, I expected a little bit more.  It didn’t really give me much to chew on.  Most of us knew that Rey would train with Luke for a good portion of the movie so seeing those scenes didn’t rivet me in any way.

Don’t get me wrong – my favorite types of movies have some kind of intense training period in them when the trainee becomes a hero.  I’m actually MOST excited about the training of Rey in TLJ.  I just think the trailer was little light on content for being pretty close to the release of the movie and was hoping for a lot more.

Poe and Finn were barely in the trailer and seemed like an afterthought (Finn especially), so I do hope that they get more screen time than the trailer suggests.  I loved seeing BB-8 again, my favorite droid, and was super sad to see Poe’s x-wing blow up!  I hope he makes it out okay.

Where was Kylo Ren?  We only got a very brief shot.  (Also, how did he get his mask back? Is this going to be one of those weird unexplained things like how Maz got Luke’s lightsaber?)

I liked seeing the Jedi Order symbol…really excited to see where that goes.

The most important and puzzling line is Luke’s declaration that “I only know one truth. It’s time for the Jedi to end.”  NO LUKE NO WHAT ARE YOU THINKING?  I think that scene is from him being on the mountain top too long.  He’s turned into a curmudgeon and the line is probably in the beginning of the movie.  Right after it, Rey will say, “Are you nuts? I didn’t come all this way to hear you say that,” and he’ll go, “Oh yeah, you’re right, what was I thinking? Let’s begin this training.”  Hahahaha, but seriously, I have a strong feeling the line is in the beginning of the movie and it’s following a similar format to Yoda/Luke in ESB – where Yoda did not want to train Luke, but in the end gives in.

The Midi-Chlorian Center did a nice round up of the new poster and photos from the movie, so head to their page to check it out.  I can’t wait to see who Rose is and what her story will bring us.  I hope she’s a good addition.

Here’s the trailer for those of you who don’t know how to search on YouTube. 😉

 

Thoughts guys?  I feel like there really isn’t much to discuss, unfortunately.

Fan Art Friday! Yoda’s Takes Us On

I wish there was a way to back upload my posts so it looks like I posted this Friday.  First of all, sorry Mei-Mei for needing a few extra days on this!  The picture was done but then I didn’t have time to get around to the post.

So here I am – actually posting on a Monday so it really should be Fan Art Monday…but it doesn’t sound as good.

I love Mei-Mei’s rendition of this picture!  Her coloring for Yoda is spot on and I love that she did an outline for the Jedi Order symbol.  I also love that she did the blue border as a faded effect.  It’s hard for me to get those right but she really nailed it.

I don’t mind my picture – but I’m very neutral on it.  I don’t love it and I don’t hate it.  I was unhappy with the way Yoda’s coloring came out.  I can’t seem to make that work whenever we do him.  He kept reminding me of limes this time around, and he even has three different shades of green going.

I did have fun with the Jedi Order symbol – I used red but created this pinstripe look.  At first I thought it looked too much like a candy cane so I ended up adding lines in the opposite direction and it worked well.  I think my favorite part is the yellow and orange border – I like how it encircles the picture and complements the other colors.  The robe and Jedi tunic was spot on so that made me happy as well.  Other than that, I used purple flowers because they are my favorite color flowers but I don’t think anything else really stands out.

Since I saw Rogue One again this weekend – next month’s will be the mandala of the X-wings and the Death Star.  It’s in the beginning of the book and the page right before Jar Jar and Kashyyyk.

Star Wars ComLINKS: Most Emotional Scene

Apparently I was supposed to get this done by March 22nd – oops, I completely missed that note the first time I read through the post!  I’ll be better next time.

First, thanks to Graphic Novelty2, I re-discovered the blog Anakin and His Angel.  I remember I had it saved at some point on an old computer and then when I switched to Chrome, I think I lost it.

Anakin and His Angel does a monthly topic and invites other blogs to participate.  I love this…I get to write my own blog post without thinking about a topic!  Lazy me celebrates!  (Except lazy me got in the way of getting it done on time…)

 

Most Emotional Scene in Star Wars

My vote for the most emotional scene has to go to Han getting put into carbonite.

I picked this scene for four reasons:

  1. Han’s vulnerability,
  2. Leia’s realization of love,
  3. Chewie’s anger and sense of helplessness,
  4. Lando’s regret,
  5. The music.

That’s a heck of a lot of emotion to pack into one scene!

Let’s start with Han’s vulnerability – this goes back to my assessment of his clothing choices throughout the trilogy.  When he is stripped down to only that shirt, it’s not the Han we know and love.  He is not cocky or over-confident, but instead vulnerable.  Vulnerable is not a word we often associate with Han.  He’s about to be put into carbonite and he has no idea if he’ll survive.  That look on his face when he looks to Leia and Chewie before the steam rises…what is it?  Sadness?  Unspoken feelings?  Despair?  It’s something we don’t see on Han’s face very often.

Then we have the classic interchange between Han and Leia of, “I love you.” And “I know.”  Who doesn’t enjoy those lines?  We knew Princess Leia was hiding her feelings for Han during most of the movie but in this moment, she knows she has to say it.  If she doesn’t say it, she will kick herself every moment afterwards.  Watching her step forward with anguish on her face to tell Han those deeply personal words…I wouldn’t want to be in her position.  She’s seeing the man she realized she loves being put into a situation where he might not live.  And let’s not forget her moment of abject fear and disgust right before those moments when she looks over at Darth Vader.  *shudders*

This scene is often overshadowed by Leia and Han’s exchange, but I think one of the most emotionally moving parts is Chewie’s scream when the carbonite takes effect.  He starts off the scene by throwing Stormtroopers over the edge of the chamber in a last effort to save Han.  Han calms him down by saying he has to look after “the Princess”.   He acknowledges he might not live through this ordeal but is transferring Chewie’s life debt from Han to Leia.  But this is not something Chewie wants to hear.  Han was his best friend, the smuggler who saved him and to whom he owes a life debt.  I’m sure Chewie thought that if Han ever died, he would go down screaming with him (though we saw how that played out).  Instead he has to stand by helplessly in this whole scene, clinging to Leia until the deed is done and his roars are one of despair, anger, and frustration.

Lando, oh, Lando.  The moments the camera is on him during this scene are few and far between.  And when they do steal a moment to look at him, you have to watch closely.  But you can see it.  It’s there.  The “What have I done?  Was this the right thing?” look.  He looks at Leia and Chewie and his thoughts are clear.  I’m sure he’s feeling that deep uncertainty and regret…that gut feeling when you know you should not have made that deal.  Too late now, buddy.

Finally, the music.  Oh my gosh.  I get goosebumps every time I hear the music by John Williams for this scene.  Even when I’m not watching the scene and I’m only listening to the music, I get transported away to a tense place.  Everything in me stops and I’m filled with emotions of dread and anxiety.  I can’t concentrate on anything I do when hearing that music.  It’s the cherry on top of this whole scene.

 

That, my friends, is why I think the carbonite scene is the most emotional.  Hopefully I’ll get on my game faster next time and participate in ComLINKS before it expires.

 

What do you think is the most emotional scene?  This can include Rebels, TCW, anything in the Star Wars universe!

 

Haiku Me Friday! The shield doors must be closed

Dread fills my inside
But I have no choice; door shuts
Was the right thing done?

When I went to Celebration/SWCA in 2015, there was a very interesting panel done on the music of the Empire Strikes Back.  They took all the music John Williams had written that was left on the cutting room floor per Lucas’ decision and played the original music where Williams intended them to go.  Some of it was silly – there was music with Luka and Yoda’s training that made you think it was a fun jaunt as opposed to serious preparation for facing a Sith Lord.

A lot of the music that was cut out of the final movie involved scenes at Hoth.  I remember vividly this scene: when the shield doors have to be shut for the night and Leia makes the hard, but right, decision to close the doors despite her two best friends being out in the freezing temperatures.  By closing the doors, she was signing a death sentence (and that’s not an easy thing to live with).

The music Williams had composed for this scene was full of trepidation, it was robust and deadly.  The music fit quite well and I think if it was in the movie, I would never have thought twice about it.

Yet George Lucas decided to leave it on the cutting floor.  This immediately turns the scene into an awkward, this-doesn’t-sit-well-with-me, uncomfortable feeling.  When there was music, the scene turned into a subconscious distraction for your feelings.  It’s almost like a glass of wine to handle the pain better.

But when the music is removed your feelings are left bare and you connect with Princess Leia in a raw, emotional way.  You feel what she feels: the indecision, the doubt, the regret, the fear – all happening as the loud shield doors pull to a close.  When they finally shut and you hear Chewie’s despairing howl, you get goosebumps.

Without the music, this scene turns authentic and harsh.  You are in the moment with Leia, Chewie, Artoo and Threepio.  Threepio’s assessment of the situation rings in your ears while they doors shut.

The odds of survival for Han and Luke are 775 to 1…and that is not very reassuring at all.

 

In case you were wondering what the scene sounds like with the original Williams music, I found it on YouTube.  Enjoy.